186 Views
1
View In My Room
Fine Art Paper
8 x 10 in ($70)
White ($80)
186 Views
1
I started this painting while listening to a Dan Carlin podcast on the Munster rebellion. The absolutely gruesome punishments meted out to the Anabaptists who were the rebels made me feel the sort of revulsion that anybody would, and this translated into the theme for the painting. The painting was executed in different stages over the course of more than a month. The zeroth (preparatory) stage was fixing masking tape all around the canvas. The first stage was simply drawings of heads of humans and other fantastic creatures mounted on totem pole fashion in brown acrylic paint. The second stage was the coloring in the heads and poles. The third stage was coloring in the background with black acrylic paint. The fourth stage was an energetic background and foreground painting stage, where I splashed, dripped and flung small trails of paint all over the canvas. The fifth stage was where I painted 'Oms' in acrylic paint of different colors (mostly white, red and yellow or combinations thereof) all over the background, in an attempt to inject some peace into such a brutal theme for the painting. Stages four and five overlapped each other significantly. The sixth and final stage was using a Sharpie (permanent marker) to create designs all over the canvas. The painting was done on Dayler Rowney canvas that is triple primed with gesso, 100% acid free, stretched and ready to be hung. The depth of a pack of two canvases is listed as being 1.5 inches, but my own measurement of canvas thickness gave me a measurement of 0.6 inches (approximately). Daler Rowney acrylic paints and black Sharpies were used for the painting.
2020
Giclee on Fine Art Paper
8 W x 10 H x 0.1 D in
13.25 W x 15.25 H x 1.2 D in
White
Yes
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Jayant Avva is a self taught artist and writer, who also has significant science and engineering training. He learned how to sketch in various media as a child, and experimented with oil, tempera, turpentine and various other media as a teenager. He also experimented with lithography and wood carvings during the same period. A significant influence and inspiration for him during this time was his study of ‘The Great Artists’ (Marshall-Cavendish) series of books, and related art books, notably Giorgio Vasari’s classic ‘The Lives’. He picked up many sketching tips from David Hockney’s excellent books on drawing, and by copying the great masters, notably Leonardo da Vinci, El Greco, Antoine Watteau, Thomas Gainsborough, Vincent Van Gogh, Salvador Dali, Pablo Picasso and others. He was also significantly influenced by the Thangka art of Robert Beer and similar artists. While pursuing a science career, he started using ultra complex doodling as a means for stress relief, and this has become a key feature of his art. Over the years, he has continued to refine his artistic expression and creates pieces that synthesize Western realist and surrealist art with Kalankari art, Thangka art, aboriginal cave art and basic geometric shapes. “I dream my painting and I paint my dream.” ― Vincent Willem van Gogh “Art washes away from the soul the dust of everyday life.” ― Pablo Picasso “The most beautiful experience we can have is the mysterious. It is the fundamental emotion that stands at the cradle of true art and true science.” ― Albert Einstein, The World As I See It
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