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Trahe me post te, Domine (Draw me after thou, my God) Print

Guy De Montlaur

United States

Open Edition Prints Available:
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Canvas

Canvas

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21 x 14 in ($129)

21 x 14 in ($129)

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Black Canvas

White Canvas

Black Canvas

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White ($150)

Black ($150)

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$129

306 Views

7

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

"He remains faithful to his original nature, but moves forwards in the search for expression that is both lyrical and technical and which requires above all faith in the subject matter, the song of colours, the movement of the forms created by the gesture and touch. What remains is a quality of stru...

Year Created:

2017

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

21 W x 14 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Guy Joseph Marie de Villardi comte de Montlaur (born 9 September 1918, Biarritz— died 10 August 1977, Garches) was a French painter[1] from the Languedoc family of Montlaur.[2] He was a resistance fighter in WW2, he landed in Normandy on 6 June 1944 with the Kieffer Commandos, he participated in the Battle of Normandy and landed again in Holland on 1 November 1944.[3] Montlaur's paintings were influenced by the great classical works such as those by Paolo Uccello, Ingres, Delacroix and later Kandinsky. One can define four styles characterising the evolution of Montlaur's work: cubism immediately post-war, geometric abstraction from 1949, abstract expressionism from 1955 and finally lyrical abstraction around 1960, once he had achieved the summit of his art and technique. His work was often mystical, sometimes religious, and was marked by the terrible memories of his wartime experiences.

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