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16 x 20 in ($240)
White Canvas
White ($160)
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Artist featured in a collection
“My latest painting epitomises a pivotal moment in time. It encompasses a tumultuous era that resonates to this day.” Artist - Miriam Cabello Three champions defy the status quo and stand up to injustice. Sydney artist Miriam Cabello salutes these leaders in her new work Trinity Salute. She refocuses our attention on how the struggle against inequality is never truly over. A milestone in American and Australian history, that day on 16 October 1968, at the Mexico City Olympics, three sportsmen made the world think. Australian runner Peter Norman joined two American athletes in a powerful protest for human rights. Cabello vibrantly paints this moment as the winners, Americans Tommy Smith and John Carlos, mounted the podium and made their famous raised fist salute. Alongside them, fellow champion Peter Norman demonstrated his support by wearing the badge for human rights. Norman, who won silver for Australia in the men’s 200 metres, is considered an Australian sporting great. His winning time in Mexico City still stands as an Oceanic record. However, all three athletes suffered repercussions for their peaceful protest, with their careers as runners suffering. Despite adequate times during trials, Norman was not selected for the Munich Games of 1972 and never ran again in the Olympics. An anonymous Sydney donor commissioned the work. The donor has said: “The events of 1968 in Mexico City are not well known in Australia, so we decided an artwork commemorating this historical moment should be commissioned. The intention is to reunite the themes of belief, human endeavour and social justice within a Church setting, and continue the relationship that Churches have globally with artists by exhibiting significant artworks. We did not think that there was any reason why this could not also happen in Australia “. The artist’s work remains on display for public viewing at St Luke’s Enmore.
2020
Giclee on Canvas
16 W x 20 H x 1.25 D in
17.75 W x 21.75 H x 1.25 D in
White
White Canvas
Yes
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Australia
Miriam Cabello is a Chilean-Australian interdisciplinary artist, curator, and academic educator, based in Sydney. Her studio practice explores Mythology, questioning, "Where is Hercules (Heracles)? What does it mean to be Hercules in the 21st century?" She offers a host of unique artistic responses to this ambitious question. Her new multi-layered works feature some of the finest figurative contemporary paintings of universal heroes, from the celebrated to the conspicuous, from athletes to activists. To reveal and merge incompatible ideas from masculinity and feminism in contemporary art. Western Mythology juxtaposed with Meso-American myths. Allegories of Pugilism (boxing) aim to expound ideas and unearth the exploits of great heroes fighting against superhuman odds, quests and trials and the eternal fight against the powers of darkness and adversity. Hercules finds its origins in Cabello's 2011 exhibition at the DUMBO Arts Festival, Brooklyn, selected to travel to the National Art Museum of Sport, USA, titled 'Australian Aboriginal Boxing Legends'. Highlighting Lionel Rose, American Sports Illustrated wrote of his 1968 fight in Tokyo, "across Australia, that night people clung to radios as if the ringside announcer were Winston Churchill … women wept over Lionel Rose and men shouted…. Lionel Rose was Hercules, Charles Lindbergh and the Messiah all rolled into one". Miriam's creative process and the interlocking themes she has developed throughout her life and art practice are grounded on the Old Masters' historical oil painting techniques, iconography, colour symbolism and the Latin American art canon. Her innovative oil painting technique bridges the baroque and post-modern understanding of light, which affects perception. She founded ©Spectral Kinetic Realism after 20 years of academic research and creative exploration.
Artist featured by Saatchi Art in a collection
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