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Unexpected Series: III Print

Charles Zigmund

United States

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10 x 8 in ($100)

10 x 8 in ($100)

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ABOUT THE ARTWORK

A monumental cliff near a beach. It is late afternoon when the sun''s light becomes stained with orange, red and pink tints. The air is molten and the shadows are blue.interspersed with the greens of the trees that climb up the cliff face. At about the time the Coronavirus came to America, late February 2020, I fell from a ladder and fractured my back, in a double-whammy to my life. I spent the next few months in a hospital and then a rehab/nursing home, healing and trying to avoid catching Covid-19. Eventually coming home, I was depressed. When I could pick up art again, I planned to resume my landscape sculpture of familiar places, but could not do the hard physical labor of sculpture with my broken back healing. I became interested in mountains, which I hadn’t been particularly in my previous landscape works. Videos and photos of mountains suddenly inspired me and re-energized my spirit. Drawing and painting their shapes, thrusting and monumental like frozen motion, their grandeur, excited me and provided strong emotions. Without planning I gravitated toward watercolor paintings of these mountains, because the spontaneity and flow of watercolor from the brush was an expression of these feelings. I am still making these watercolors. I have named this the Unexpected Series, because it came out of nowhere. It is to me a healing process and a spiritual renewal. It gives the possibility of happiness in a time, in our nation and in my own life, of great challenge and stress.

DETAILS AND DIMENSIONS
Print:

Giclee on Fine Art Paper

Size:

10 W x 8 H x 0.1 D in

Size with Frame:

15.25 W x 13.25 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I've almost always depicted landscapes, but within that subject I've had a series of interests. Some of my landscapes are paintings and some are wall sculptures. Some are pastoral and some are city-based, others are suburban. In the non-pastoral works I often combine nature and the human-made in ways that express their frequent conflict. Many of the landscapes, both paintings and wall sculptures, are of images glimpsed quickly while I was traveling. This is related to Einstein's theory of special relativity, dealing with objects moving through their surroundings, which has always fascinated me. Then recently a series of events has brought me to painting scenes that I have mostly not seen with my own eyes.... At about the time the Coronavirus came to America, late February 2020, I fell from a ladder and fractured my back, in a double-whammy to my life. I spent the next few months in a hospital and then a rehab/nursing home, healing and trying to avoid catching Covid-19. Eventually coming home, I was depressed. When I could pick up art again, I planned to resume my landscape sculpture of familiar places, but could not do the hard physical labor of sculpture with my broken back healing. I became interested in mountains, which I hadn’t particularly in my previous landscape works. Videos and photos of mountains suddenly inspired me and re-energized my spirit. Drawing and painting their shapes, thrusting and monumental like frozen motion, their grandeur, excited me and provided strong emotions. Without planning I gravitated toward watercolor paintings of these mountains, because the spontaneity and flow of watercolor from the brush were expressions of these feelings. I am still making these watercolors. I have named this the Unexpected Series, because it came out of nowhere. It is to me a healing process and a spiritual renewal at the same time. It gives the possibility of happiness in a time, in our nation and in my own life, of great challenge and uncertainty.

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