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Untitled Print

Samuel Burbury Hanchett

United States

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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9 x 12 in ($40)

9 x 12 in ($40)

15 x 20 in ($70)

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Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

A rectangular shape study done on water color paper with water soluble pastels.

Year Created:

2015

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

9 W x 12 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Samuel Burbury Hanchett, born in 1976 in Long Island/New York, studied art at Gettysburg College in Pennsylvania/USA and Syracuse University in Florence/Italy. "Though sometimes stark, the art has a spark and radiance of flashing perception. Some are bone-bare elegant; others are thickly lined. Every particle of color has electric authenticity. Every stroke limns the drama of human personality, the journey of the soul." Usually the images come from within; but even when using a picture or an object for inspiration, what I end up with is something I couldn’t have conceived of before beginning. The creative process itself proves most exciting for me when I take risks: proceeding more by instinct. My hope in letting my intuition lead in the creative process is that those unplanned brush-strokes will blend with the ones that are also intended, thus drawing the chaotic into something solid and contained. As an artist, this approach allows me to directly explore those strange, primitive inklings in opposition within me and presumably, us all. Once this combination of work, paint and energy concludes in breaking through, I become its viewer also, and what I find that this form of expression can do for us is to make possible a way to say or feel something significant that could only be conveyed through this language of paint and the surface it has been applied to.

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