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Original Figurative Transportation Painting by Gianfranco Gentile
Original Figurative Transportation Painting by Gianfranco Gentile
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Original Figurative Transportation Painting by Gianfranco Gentile
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Original Figurative Transportation Painting by Gianfranco Gentile
Original Figurative Transportation Painting by Gianfranco Gentile
Original Figurative Transportation Painting by Gianfranco Gentile
Original Figurative Transportation Painting by Gianfranco Gentile
Original Figurative Transportation Painting by Gianfranco Gentile

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"Vespa 125 1951" Fine Art Print

→ Gianfranco Gentile, Italy

$42

Material

  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper

Size

10 x 10 in ($42)

Frame

No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Dry pastels and recycled packaging cardboard are the materials at the base of my work on memory. In my many years of work on industrial archeology, there are the means of locomotion that have left a mark on the imagination of generations of the last century. The Vespa is certainly one of these. Card...

Year Created:

2016

Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Contact us.

Need more information?

Contact us.
Gianfranco Gentile

About the Artist

Gianfranco Gentile

Italy

I was born in Verona, Italy, in 1949. I grew up in the cultural atmosphere of the '70s in Florence, where I graduated in Architecture. In that period I was also a musician and experimental performer. In the mid '80s I wrote songs and sang with my rock band in Verona, and worked as a scene, graphic and furniture designer. In 1997 my first exhibits in the art-world of painting.My most recent works, Industrial Archaeologies, divert the attention onto cultural products for survival: they are geological finds of a recent civilisation, the industrial one. These works, rigorously pastel painted, are totems, neglected mechanical parts abandoned to indifference. These objects, captured in their monumental plasticity are tragically present; they seem solid and impregnable mechanisms like ancient war machines. The support material is presented as fragile, recycled cardboard, as meagre as the oppressive isolation of the objects. And yet in this ambivalent scene of force and fragility is the harmonious result of the mix where the support is not only the place of evocation but becomes expressive material that transforms itself into light and colour.

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