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Wet Morning Hakea Print

Boyd McMillan

Australia

Open Edition Prints Available:
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Fine Art Paper

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8 x 12 in ($40)

8 x 12 in ($40)

16 x 24 in ($85)

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$120

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ABOUT THE ARTWORK

I walked down the cliff track in the rain to draw the Bridal Veil falls and, watching my feet, walked straight into the wet Hakeas as they bent under the weight of water. In the wet morning the yellow was rich and the leaves curled out around them, with the ferns below hugging the sandstone. I drew under an umbrella to capture the shapes and made colours notes. The final piece was drawn by brush and the ink ground laid in shapes created. Colour was laid in last to evoke the gentle richness and clarity of a wet morning in the mountains.

DETAILS AND DIMENSIONS
Print:

Giclee on Fine Art Paper

Size:

8 W x 12 H x 0.1 D in

Size with Frame:

13.25 W x 17.25 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in Melbourne, Australia and lived in all states of the east coast. I have continued a dual career as artist and landscape architect. I work in painting and drawing, pastels and sculpture. My artwork is a direct response to the experience and emotion of bush walking and my personal study of other artists’ practise and philosophy. The ink drawings are the most direct and reflect the initial reaction to the bush. I have developed a lifestyle of frequently walking in natural areas. The drawings help me to more fully experience and describe my response to places, their rhythms and the rocks and the plants and animals found in them. Scale and point of view is important in my interpretation of the landscape how monumental scale, perspective and point of view influences to experience of the landscape. The use of ink drawn with found objects assists in establishing direct and unpredictable marks to build on using ink wash and watercolour. Most work has a substantial base outdoors and is finished in the studio. I enjoy the subtlety and strength of ink and the direct colour of pastel and watercolour. Sculpture is developed intuitively from the from these experiences and as a way of exploring conceptual ideas about change.

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