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VIEW IN MY ROOM

Window Print

Victor Hagea

Germany

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9 x 12 in ($102)

9 x 12 in ($102)

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About The Artwork

Window is a spectacular vision unveiled by a huge reflective metallic curtain, which occupies half of the picture plan. Paradoxical in its unusual appearance, this metallic silk curtain opens up the picture’s stage like a dream. The vision is the other half of the picture, but one could say that the whole picture is the window in which a Venetian vista is revealed. Here is the usual romantic bridge, the gondola. But what really catches the eye like a magnet is the enigmatic body of the lady in crimson in the foreground – a rubicund vision amplified and reverberated in the reflective squares of the folded curtain. Carmine highlights pierce the metal, intensifying the magic view of this passionate body. Indeed, her sanguine dress evokes the whole pathos which makes her gaze languish, her lips move with sensual desire. She holds at bay the Venetian passion, she is a figure of love, death, and fluid desire. It might be interesting to note also that in this dreamy and spectacular composition, the reflective surface of the metallic curtain meets the liquid of the canal – as if in a chimerical vision. It is in this cone of vision and encounter between these two impossibilities that the lady’s body seems to originate, herself a liquefied erotic vision. Like a nymph, her enigmatic body comes out from the waters. Masked by a black lace, half sfumatto, her face emerges from the mist of the canal, making her apparition even more mysterious. Venice is no doubt the most enigmatic place, the place where the gaze must be disguised and where the bodies become theatrical, the magic space, indeed, where any place becomes the stage for a pathetic drama. (Text by Nicoletta Isar, VICTOR HAGEA AMAZING ART ISBN 13: 9789189685239)

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:9 W x 12 H x 0.1 D in

Size with Frame:14.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born: July 22, 1948, Lupeni/Hunedoara, RomaniaI have been interested in drawing and painting since youth, and had a rigorous arts education.I have been much influenced by the Flemish, Dutch, Italian, Spanish, and French great masters. I saw in their multi-faceted work multiple windows toward the absolute. Then Dali showed me what kinds of possibilities dwell within the domain of the "real" and what the artists can make of it. After a time of experimenting in several directions such as cubism, constructivism, and abstractionism and using various techniques, I came back to the kind of painting that best expresses who I am. I have always dreamed of painting this way, finding means to capture the passing and evanescent nature of reality through forms that transcend it. Traditional Indian philosophy claims that "life is a dream," underscoring an invisible boundary that separates different worlds from each other and therefore the respective "realities" that correspond to them. There is something in each "reality" that transcends its physical immediacy taking the form of a projection or emanation, thus outgrowing its deterministic corset and finding its "super-reality" at a higher level. I believe my textual "Painting as performance representation" opens the door towards understanding this. • From WIKIPEDIA: In my painting I start from reality and its data and then, by combining elements of the real, I pass beyond reality in another dimension, which I call the supra-reality of reality. This play of elements opens a gate to the invisible element which stands behind scenes, like a stage director. As artefacts of a statically eternal life, statues are but a means of expression in a more philosophical context of the work of art, by opposition to the dynamic of living things. These two opposites are nevertheless linked by means of the hero category, for heroes are protagonists of a matrix which shapes human destinies. Old myths become live again in the destinies of today's heroes. "The focus of my artistic creation is the human being in connection with his activities , actions and desires which determine and form his fate - the human who creates his . If I had to characterize my style, I should call it with indefinite boundaries between reality and dream. So I would like to invite the spectator to be witness to the interaction of the states where the reality escapes into the dream and the dream will turn to some aspects of the reality.

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