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Original Abstract Landscape Painting by Anna Chmiel
Original Abstract Landscape Painting by Anna Chmiel
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Original Abstract Landscape Painting by Anna Chmiel
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Original Abstract Landscape Painting by Anna Chmiel
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Original Abstract Landscape Painting by Anna Chmiel
Original Abstract Landscape Painting by Anna Chmiel
Original Abstract Landscape Painting by Anna Chmiel
Original Abstract Landscape Painting by Anna Chmiel
Original Abstract Landscape Painting by Anna Chmiel

5

"Winter city lights hallow" Fine Art Print

Anna Chmiel, Poland

$202

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
21 x 14 in ($202)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

Artist Recognition

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This is a view of an exclusive apartment building in Krakow. Rich, inaccessible place. Behind and next to it there is a small kingdom of ivy, wild thickets and collected rubbish. A place where two worlds meet. This is a place close to my studio. I've parked my car there for years. More and more such...

Year Created:

2020

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

21 W x 14 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Anna Chmiel

About the Artist

Anna Chmiel

Poland

The main question I am asking myself today is: Is ecological coexistence of man with others and with nature possible? And if so, how should we work on it? How do we practise it, and how do we talk about it?
so that we can pass on this knowledge and experience to others?

I feel an almost obsessive need to be outdoors. I create impressionistic, colourful notes in sketchbooks, photographs, field recordings. For me, the outdoors means being in nature with my whole self, with all my senses. I use photographs, but I also need to get my senses and brain to concentrate and remember what I have seen, heard and felt. The image that is later created has a record of time, place, time of day and time of year, it carries emotions, reflections, presence, history and memory.
In an era of crisis and climate change, landscape painting, especially
plein air and field recording, is changing its context. I feel that this is my homage to the beauty of nature and it has its reverse and that is the spectre of doom.
Internally I am working on the task of accommodating and elevating these two realities within myself. The most important task is not to close my eyes, ears and heart.
To feel and reflect, withstanding the tension.

Recognition:

  • Artist featured in a collection

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