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Woman with a Blue Headscarf Print

Ieva Alberton

United Kingdom

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ABOUT THE ARTWORK

Woman with a Blue Headscarf was painted during the first Covid-19 lockdown. During this period, Ieva Alberton challenged herself in painting daily. Each piece of this series of imaginary portraits, was dedicated to a friend of the artist either to a significant place of her life journey. The painting depicts the face of a young woman. The intensity of the blue headscarf emerging from the dark background speaks about an intimate space, held by self-awareness and melancholia.

DETAILS AND DIMENSIONS
Print:

Giclee on Fine Art Paper

Size:

8 W x 12 H x 0.1 D in

Size with Frame:

13.25 W x 17.25 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Ieva Alberton (art name Ieva Aqua’relle) is a Latvian contemporary watercolour artist based in London. Professionally trained in fine arts and theatre, her artistic career is richly varied, crossing over into multiple artistic disciplines including performance and dance. She recently collaborated with Latvian pianist and composer Ieva Dubova to create the artwork for her experimental post-classical album, ‘Reverie’ (2020). Ieva Alberton’s watercolours depict abstract, evocative female figures termed ‘Madonnas’ by the artist. Fascinated by images of the mighty Mother-Goddess figure throughout art and history, she first began painting female figures after the birth of her own daughter. The artist explains: “The ‘Madonnas' were born from my own personal limitations of being a woman, mother and artist at the same time. There’s no religious meaning, at least in a literal sense of the word. Careful observers can find many references to ancient myths, fairy tales, biblical stories and medieval imagery in my work.” Creatively inspired by classical antiquity, as well as ancient, medieval, Byzantine and Islamic art, Ieva Alberton seeks to bring a deeper emotional meaning to observers through her paintings. She explains: “I am moved when people recognise themselves in my work and connect it to their inner world. In my paintings, I try and depict ‘a mental landscape’ rather than a physical resemblance. Places, people and landscapes are sources for new ideas, information and images, which I continually transform in my art. The real subjects of my art are my contemporaries - the women, children, and men around me.”

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