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View In My Room

Worry Is A Misuse Of Imagination Print

Laurel Swenson

Canada

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10 x 10 in ($60)

10 x 10 in ($60)

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515 Views

17

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Acrylic, powered graphite, acrylic paint marker, chalk & polymers on wood panel I have been working with mark-making and a variety of mark-making materials, This is a small storm that is a sign-post piece for me, point to future works. I love this painting. It is both delicate and gritty, evocative...

Year Created:

2015

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Painting is the most interesting and compelling activity I know. You start with a blank canvas and fill it up with something completely new — and the paint goes exactly where you put it. The awkwardness or brilliance of that stroke is yours, all yours. I am an abstract painter living and working in Vancouver. I am working on process-driven work, and am pursuing abstraction in effort to create work that is evocative, emotional and that responds to the materials. It develops over time with layers of texture, marks, brushstrokes, colour, blood, sweat and tears (and humour!). I am particularly interested in themes of transition, struggle and growth, (both metaphorically and materially). Each painting is a visual expression of emotion and struggle, externalized through paint and materials. Some feel like storms, some like summer. My work is thematically connected by my focus on mark-making, the presence of the hand, the building of texture, and loose gestural painting.

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