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1
View In My Room
Fine Art Paper
8 x 10 in ($40)
White ($80)
410 Views
1
I paint what is part of my life. Flowers, especially in spring, are among my favorite subjects. For me paint is a daily practice, often has subjects connected with the passing of the seasons. How not to paint the magnificent irises that bloom in the first part of spring? they are an explosion of beauty and a concentration of joie de vivre. I would always like my painting to express the joy of living and the luck of being able to represent it. My brushes are fluid and fast because they want to represent the moment of the here and now while I paint this explosion of life represented by the short life of flowers. I paint on raw untreated canvas with no primer to emphasize the moment of the here and now, once the brushstroke is done there is no going back, I like to follow the principle of ink painting on paper of the Chinese tradition. Often my canvases are old linen sheets. If there are hand-made embroideries they become part of the work itself thus enhancing the sense of beauty in the use of pure linen.
Giclee on Fine Art Paper
8 W x 10 H x 0.1 D in
13.25 W x 15.25 H x 1.2 D in
White
Yes
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Innokentiy Fateev is originally from Russia, Tomsk, a town in Siberia. From 2001 lives in Faenza, Emilia Romagna, where he attended ISIA, Higher Institute of Artistic Industries. The teachings of his father Yuri, also an artist, and the natural and cultural suggestions brought back to his homeland directed him towards a figurative painting that was first of a naturalistic-descriptive type. He is then influenced by protagonists such as David Hockney or Andrew Wyeth, through whom he overcomes certain initial limits, avoids the shallowness of a, by now anachronistic realism and moves towards a solid formula of the need of day to day painting. An instinctive painter, Fateev knows no precise thematic or iconographic limits. No symbolism is underlying a painting that could also be defined as happy: satisfied by the mere act of vision and recreation of reality. Flowers, natural and urban landscapes, still lifes and portraits are executed with great speed as a sign of an achieved executive mastery and a remarkable capacity for visual synthesis. There is nothing impressionistic, however, in Fateev which, on the contrary, tends to consolidate his images of reality in almost plastic and rubbery arrangements with unnatural color changes and accentuations. Even the debts towards a master like Edward Hopper are omitted: the subjects, the cuts of the image, the shots and the moments represented do not intend to rise to a symbolic value or induce particular reflective attitudes. Fateev's painting proceeds smoothly, almost naturally, and it is no coincidence that the artist defines his landscapes as "wet-scapes", liquid landscapes. An adjective that has nothing to do with a certain contemporary sociologism but, more fully, with a conception of the world as a huge ever-changing flux that the artist can help to firm and partially condense by recreating the rare and fleeting, such as the green ray , moments of intersection between everyday life and theatricality. In addition to the Faenza, Romagna and Italian sectors, Fateev has exhibited in Russia, Austria, Germany and Holland.
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