50 Views
12
View In My Room
Canvas
12 x 16 in ($151)
Black Canvas
White ($135)
50 Views
12
Artist featured in a collection
“No hay cicatriz, por brutal que parezca, que no encierre belleza. Una historia puntual se cuenta en ella, algún dolor. Pero también su fin. Las cicatrices, pues, son las costuras de la memoria, un remate imperfecto que nos sana, dañándonos. La forma que el tiempo encuentra de que nunca olvidemos las heridas” Piedad Bonnett LOS ESCRITOS III Me interroga el sujeto, su fragmentación y la relación con el mundo que habita. Construyo cuerpos. Apelando a la fragilidad del material enfatizo esa fragilidad primaria, humana. Hago posible que aparezcan los atravesamientos, sus cicatrices y conexiones. En los escritos, la rugosidad de una pared actúa como acto inicial de una generación de signos-textos sobre el papel. Papel de algodón, muy delgado fragil y resistente a la vez, metáforas de lo humano. Dibujo con carbonilla, gestos, ideas, relatos, pensamientos. Es una escritura, dibujos del pensamiento. Acto sobre acto en la formación de un registro. Soporte que a su vez, es intervenido con formas escultóricas de color. Se experimentan como cuerpos que tranparentan lo que intentan ocultar, y ocultan lo que intentan nombrar. Entre la revelación y el ocultamiento. Entre el olvido y la memoria. Una serie sucesiva de origenes y reconstrucciones. Como neologismos a descifrar. Es un intento de escritura por recontruir y materializar la memoria, el recuerdo y la palabra
2019
Giclee on Canvas
12 W x 16 H x 1.25 D in
13.75 W x 17.75 H x 1.25 D in
White
Black Canvas
Yes
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Argentina
She was born in Buenos Aires, Argentina and is a psychoanalyst graduated from Universidad de Buenos Aires. Argentina My training and experience in clinical psychoanalysis has left a strong impression on my vision of art and of the world. My work is driven by the necessity to investigate the fragmentation of the human being, the body and its relationship with the world in which it inhabits. I start a work of art in an intuitive way using unconventional materials (nylon stockings, windshields from discarded cars,paraffin wax, etc), on the rigorous base that is derived from a close relationship between culture and nature, centering my look on the subject. The work methodology that I propose is fundamentally sustained by sculpture, installation and painting. The images of nature, its spirit, and its forms, as well as the erotic charges that they possess, are the triggers of the organic constructions that inhabit my work. The different media give me the possibility of representing the fragmentation (as an intrinsic and structural condition of the subject); the fragility, marks, identification and history. I represent the engimatic the body and its environment in a metaphoric way. Exhibitions, salons and prizes. 2016, Exhibition The Clemente, Manhattan, NY EE.UU 2016, Exhibition Insisting Light G.Hernández Contemporary art, Connecticut. Ny. EE.UU 2016, Exhibition Gallery IADB Washington DC EE.UU. 2015 Andreani Awards 2015, Honorif Mention, Buenos Aires, Argentina. 2015 Selected Financial Times/Oppenheimer-Fund emerging Voices Awards. 2015 Selected Salón National of Visual Art. Palais de Glace. Argentina. 2015, Exhibition, la trampa del destello, Museo Bellas Artes Luján Argentina. 2015, Exhibition, Gualberto Hernandez Contemporary art Greenwich Connecticut, New York. EE.UU 2015, Fragmentary Gallery of Consulate Argentine in New York,solo exhibition. NY. EE.UU 2014, Salón National de Artes Visuales Palais de Glace, Buenos Aires Argentina. 2014, La trampa del destello, solo exhibition, Dacil art Gallery, Buenos Aires, Argentina. 2013 "Lo Intimo juega en el patio vecino", solo exhibition. Centro Cultural Plaza Castelli. Buenos Aires. Argentina. 2013 +2 biotextil,bioerotismo + plus, Galerie Argentine, Embajada Argentina, solo exhibition, ParÃs, Francia. 2013 XXIII Salón de Tapiz, Bienal de arte textil 2012/2013. Museo Eduardo Sivori, group exhibition. Buenos Aires. Argentina. 2013 II Salón de Imagen Textil.
Artist featured by Saatchi Art in a collection
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