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Original Abstract Painting by Nathalie Detsch Southworth
Original Abstract Painting by Nathalie Detsch Southworth
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Original Abstract Painting by Nathalie Detsch Southworth
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Original Abstract Painting by Nathalie Detsch Southworth
Original Abstract Painting by Nathalie Detsch Southworth
Original Abstract Painting by Nathalie Detsch Southworth
Original Abstract Painting by Nathalie Detsch Southworth
Original Abstract Painting by Nathalie Detsch Southworth

88

""silver bowl", 2010" Fine Art Print

Nathalie Detsch Southworth, Switzerland

$196

Material
  • State-of-the-art coating infuses images directly to aluminum to make art come alive with vibrancy and clarity
  • The heavy, ultra-hard, scratch-resistant surface is water and moisture resistant and can be cleaned easily – just avoid direct sunlight
  • Features a robust 3/4" inset exhibit mount frame. Hardware installation provided
Metal
Size
10 x 10 in ($196)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Composition of symbols, a menora, a bowl, candlesticks and ancient animals

Year Created:

2010

Subject:
Styles:
Medium:

Print, Ink on Aluminum

Rarity:

Open Edition

Size:

10 W x 10 H x 0.88 D in

Ready to Hang:

Yes

Frame:

Not Applicable

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 10-14 business days for domestic shipments, 15-21 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

My painting unfolds in a space beyond representation, where signs become memories and forms become carriers of time. I work with a symbolic visual language that does not follow a readable script, yet recalls archaic, calligraphic and mythical systems. I understand these signs as traces of universal experience — fragments of a language older than words. Rhythm, repetition and inner order shape my compositions. As in a musical structure or a ritual framework, tensions arise between movement and stillness. Emptiness within the image is not a void, but an active resonant field that grants the signs weight, breath and presence. Color is used deliberately and sparingly. Earthy tones, gold, black or turquoise condense atmosphere and meaning without imposing themselves. They carry memory, depth and a sense of time. My works do not seek definitive interpretation. Rather, they open a quiet space in which inner images, associations and sensations may unfold. I understand my painting as archetypal expressionism — an attempt to render the timeless, the connective and the unsayable visible, and to direct the gaze toward a shared human depth. Born in Zurich in 1971. Married to Jonathan Southworth, mother of Timothy and Jemima.

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India Balyejusa, Senior Curator