17 Views
0
View In My Room
Canvas
16 x 16 in ($125)
White Canvas
White ($150)
17 Views
0
The work is inspired by the daily look at my life partner while eating. As he cut the squid, I was fascinated by his large, fleshy hands and his concentrated gaze down on the food. In the picture, his gaze leads you to the hands holding the knife and fork and from there to the plate. The cutting of the calamari with a knife and fork is emphasized by his elbows pointing outwards. The forearms form a line and lead the eye to the center of the picture, to the hands. So it's like a cycle in which the person eating is totally absorbed in his actions and his expectations. The stillness of the gaze and the movement of the hands when cutting create a special tension in the picture, which is emphasized by the blue of the pullover and the pink of the skin.
Giclee on Canvas
16 W x 16 H x 1.25 D in
17.75 W x 17.75 H x 1.25 D in
White
White Canvas
Yes
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After studying art in Berlin at the University of the Arts, I painted and experimented with different materials until 2003. My paintings, sculptures and installations have been shown in several exhibitions. In 2006 I moved to Koroni, a small fishing village in Greece. After a long break from artistic creation, which lasted almost 20 years, I started painting again in Koroni during the pandemic. First, I felt my motifs in the truest sense of the word, I held them in my hands and painted them. Lemon, banana, a withered peel that reveals a row of pea-sized, orange-colored fruits inside, like an open mouth. Since my life was very different and very reduced during this time, the focus of my perception was primarily on my daily counterpart, my life partner. Everyday life with him, his gestures, his look, how he eats, how he stands there and looks, how exhausted he comes home from work in the winter... I watched him and found that in one person again and again changing motif for my pictures. Then came landscapes, plants, houses, long walks, rocks, beaches. The cactus in front of my house in a tiny sculpted swan shell that leaves little room for it to grow and yet never dies, with the neighboring house in the background. Discovering an ensemble of cactus walking through the narrow streets of Koroni; then an inconspicuous old house to which a wide cement path leads, the bursting cracks of which form loopholes for rampant grasses. It's about giving things a new attention and meaning through painting. So I found the place in myself that I missed after a long creative break. Getting involved with the motif, observing, creating an image, the process is never the same. I often use photographs that inspire me to paint a picture or I see something that I first photograph in order to then create a new picture from it.
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