untitled Print

Paintings represent moments that once happened and passed, but remained recorded in consciousness and activated later by finding a new object. These are evocations of a certain movement or action. In such a procedure, memory has a key place, because with memory the perception is purified from everything unnecessary and irrelevant. It can be said that the perceptions from the real environment were placed in the experiential fundus, then processed, in order to appear from the memory deposits in the image as a new visual fact that then becomes the object of a new perception. By not allowing a clear reading of the work, the images lie in layers of abstraction that retain suspense rather than resolve it, prioritizing mood over narrative, and focusing on a powerful ambience, comparable to that of the slow-motion horror genre. Defying a clear interpretation and rather exploring painting as a place where knowledge and consciousness are caught in an eternal state of movement - things are remembered, forgotten, they change appearance, and their location in time is never fixed and constantly changing.