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About The Artwork
The word '사' in the title is a letter with a meaning of both death and four. I titled the skeleton of the grotesque 美人圖(Portrait of a Beauty), ironically. And I also created a humorous landscape by painting the grotesque skulls dancing ridiculously. Not fitting with grotesque exaggerated bodies, the faces of the characters seem to be snearing, laughing, and just funny. This leads to an embarrassing laugh when the viewers see the picture. It reflects the characteristics of grotesque and bizarre grotesque, and it starts with the thought that no matter how difficult life may be, it will be a little easier life if you accept it with a smile. I used Korean traditional materials and water-based marbling paints as materials, and I chose these as the main material for the background because the odd atmosphere can be produced by the accidental effect of this, and at the same time a unique rolling sense of water can be created. The picture is attached to the panel, but the panel is very heavy and can be bent when it gets wet. Please let me know if you would like to receive the picture separated from the panel.
Details & Dimensions
Print:Giclee on Fine Art Paper
Size:6 W x 12 H x 0.1 D in
Size with Frame:11.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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South Korea
My art work is based on the grotesque aesthetics, which considers the world as chaotic and ambiguous, and in which the limitations of imagination are always beyond imagination. Above all, I want to metaphorize the complex and confusing modern society by specifying the appearance of the grotesque shapes appearing in the works as psychological caves (grotta) mixed with human anxiety and anger. Of course, in this metaphor, the consciousness of the fundamental alienation of modern man is revealed in front of the image. I pursue the arts which can show us the reason we live although we exist in the world for no reason. As the boundaries between ugly and beautiful, moral principles and which are not, are becoming blurred, the world that humans have believed as absolute begins to collapse. Has there been a single moment that was not cruel ever since the human beings were thrown into this world? The eyes that look at the world just honestly, the eyes that face the grotesque, and the recognition of the existence of this unusual world, these are artistic attitudes with which I can perform as an artist in this cruel world.
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