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A Streetlight and the Moon - Limited Edition of 10 Print

Julian Alexander Terris

New Zealand

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About The Artwork

I was living in the Manawatu/Palmerston North in "Terrace End" I was attending a study-skills/job seekers course (this was after my three years at University level...) I was treading water really -it was around this time that I wrote Spacecop -and got a Job in computing working for a software firm in town. I had my own place which was pretty cool, and I'd go on walks in the evening alone. No one seems to do soul-destroying-industrial-wastelands -quite as New Zealand can. But I love the juxtaposition of neon and natural lights. What I like about this is the juxtaposition of the natural light of the moon, the artificial light of the streetlight, and the eerie drama of the moonlight through the clouds. It has a kind of "Hammer House" vibe to it, like the opening sequence of a Pinewood Dracula movie, with Peter Cushing/Christopher Plummer/Vincent Price, perhaps The War of the Worlds, I prefer to think of it as a War of the Worlds remake. The streetlight's hallow seems to fume with malignant rage and the spotlight moon is coldly indifferent to the spectre below. I like the forgotten corners of the world, those that ache, and echo with the isolation of our mankind's existence. Personally, I do not feel "remote" and I do not feel in the least bit "disconnected" or alienated from other people, but there is no doubt in my mind that we all feel a Sehnsucht for a community beyond our own family. I suppose that is one of the reasons that music is so popular, in that allows us to share a feeling of belonging to a more harmonious world, and to experience the affirmations, the validation of our own "private" emotions. Color Palette: #6c9bab #b4cad1 #12151d #375e6f #223146 #468098 #b8812e #673b1e #924e18 #3c291e (You can choose to have your image reproduced in Aluminum, Canvas, Paper, or Photo-paper). Chromoluxe Reproductions: (Limited edition of 10 only for any of my images). Chromoluxe means two things: Durability and Definition. This exclusive edition of 10 images will be created using the new Chromoluxe aluminum printing technique for high-quality large format art. The colors leap from the surface to produce vibrant melodious images. Your investment will retain its birth-date energy and integrity. You will appreciate this stunningly vital picture that is so spirited it will appear to levitate off any wall. The Chromoluxe sublimation technique means that the image is embossed into the slimline metal sheet that has a hanging frame on the back so that it sits out from the wall -by a couple of inches. This means that your rare edition print will seem to “float” just in from of the wall. You won’t need to make a separate payment for framing or worry about breakable glass and expensive heavy frames to carry (if you move to a new house). This print will be scratch-resistant, durable, and will retain the image’s vibrancy ~for a lifetime. This is 21st-century printing, high definition and literally, state-of-the-art. Very few places in the world can produce an image of this size, in this format. Not only will you have a collectible work of art, but it will be rendered in the cutting-edge format. Durable, appreciable, and gallery-quality. Side on, the print appears as a slip sheet of aluminum, from the front, the colors are glossy and intensely vivid. The panel has smoothed corners and looks sleek and elegant. (You can opt for a matte finish if you prefer). Your beautiful art will be carefully packaged in a custom-made box with plenty of protection for shipping. Shipping is tracked and signed for as standard. Takes approximately three weeks to get ready to ship. *(The estimated weight is based on Canvas Gallery Wrap 1.5" deep with 1 Layer of Resin). Shipping costs will vary with the material's weight, I will provide you with an accurate quote prior to your order.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I started drawing as a child, but quickly became enamored with photography, I got my first camera at about 10 (a Box "Brownie") and started making images with that and quickly progressed to a Yoshika SLR (and electro 35). I took art as a subject from the ago of 12 to the age of 18, and also Technical Drawing for a couple of years. Soon after I discovered music and so photography took a back-seat for many years. From music I discovered computers, and when I realized the exciting potential that they offer in terms of images my inspirations took on a new lease of life. I studied Computers at University level in 1997, and loved it so much that I decided to pursue it further, and attended the National College of Design and Technology in Christchurch, NZ. It was there that I started to experiment with images in Ernest. The subject that I covered were 3D Modelling, 3D Animation, Audio Visual, The Web and CD ROM production. I experimented with Strata creating 3D models, and animations and designed The "Nova" car and the "Millennium" housing design, also a chair, the P.O.D. (Positional Orientating Digitator). This was before Steve Jobs released the iPOD. These were industrial designs, But I do have one still image from that period which I am including in my entry. That year my partner had a son, and he had health complications, and so I had to put aside art and concentrate on finding work. From there my life had been about music and computers, until my band broke up around 2007, and I suddenly found myself with lots of free time and a copy of Photoshop and a copy of Paintshop Pro.

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