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16 x 16 in ($250)
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ABOUT THE ARTWORK
This photograph was taken in the South African bushveld. It is a Baobab tree, these trees have adapted to their environment and they are succulents, so absorb water during the rainy seasons and store it enabling the tree to produce fruit considered to be a superfood in the dry season. This is how it came to be known as 'The Tree of Life'. There are many myths around the Baobab and one of them suggests it was planted upside down.
DETAILS AND DIMENSIONS
Print:
Giclee on Canvas
Size:
16 W x 16 H x 1.25 D in
Size with Frame:
17.75 W x 17.75 H x 1.25 D in
Frame:
White
Canvas Wrap:
White Canvas
Ready to Hang:
Yes
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
Have additional questions?
Please visit our help section or contact us.
Caddelle Faulkner
South Africa
Caddelle was born in Johannesburg, South Africa (b)1967. In the present digital era - technology brings a new contemplative and observable perspective to the advance of computing in many areas of traditional art. The shift between physical space and virtual space is evolving in rapid successions of discovery and innovation. Caddelle is a Multi-disciplinary and extended reality artist who explores this consequential divide with an innate link to the mediums of the ‘traditional arts and the multi-faceted digital experience; for him, the immersive is not a solitary experience but rather one of sharing the discovery that contemporary art-making can deliver. In the continued momentum of investigating and developing his art, he is merging collective links between ‘real space’ and the digital environments exploring the multiple possibilities incorporating Virtual reality, augmented reality, holographic and optical projections to create a mixed reality digital art experience. With this in mind, he invites the viewer to interact and participate in both the tactile and digital evolution of art.
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