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View In My Room
Canvas
16 x 16 in ($155)
Black Canvas
White ($150)
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This is the middle panel of the triptych ‘Channeling Gold’. If you would like to purchase the complete triptych set as three individual panels, you will need to select the accompanying left and right panels and add them to your cart. Alternatively, ‘Channeling Gold’ can be purchased (in smaller dimensions) as a diptych ‘filmstrip’. I love the sense of rhythm created in this triptych. Each panel has a repeating pattern, which, in turn, interconnects across the whole image in a strong diagonal interplay. The repetition of line and form is accentuated by the angles and textures, and the beautiful golden light falling on the numerous ridges transforms them into magical terraces of gold. If none of the sizes available on Saatchi Art meet your requirements, please let me know and we can discuss options for you.
2020
Giclee on Canvas
16 W x 16 H x 1.25 D in
17.75 W x 17.75 H x 1.25 D in
White
Black Canvas
Yes
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Art prints are packaged and shipped by our printing partner.
Printing facility in California.
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New Zealand
Imagery which challenges creative boundaries and stimulates the imagination has always been at the forefront of my abstract photography. Exploring more unconventional methods of interpretation and presentation, I take familiar, everyday items found around my home and transform them from the ordinary into the extraordinary; this is my ‘Abstracted Reality’. Right from the outset, my photographic vision has been to look at objects with fresh eyes and a new perspective. For me, photography is not so much about artistically recording what is there, but creating something new and different out of what exists already. I want to give new life to a subject, to alter and challenge the viewer’s perspective and to invite a sense of mystery, wonder and intrigue. To achieve this, I made the conscious decision not to heavily manipulate or artificially create my photographs. Having to rely on my own imagination and creativity was invigorating, and through this process, I came to realise how highly I value the truthfulness and authenticity of a photographic image. I don’t want to manufacture my pictures in the computer. Paradoxically, I want my ‘unreal’ abstracts to be as ‘real’ and authentic as possible. The use of colour, bold shapes and patterns, and strong, simple graphic design elements feature strongly in my work. I tend to use colour as a means of highlighting and dramatising shape and form so that each image has a unique signature and presence, managing to blend the mysterious with a hint of the familiar which can’t quite be grasped.
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