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ABOUT THE ARTWORK
Like Van Gogh trudging his paints up to a wheat field, or Monet painting the Rouen Cathedral with multiple canvases to capture the light, Lee goes out every morning at dawn to capture the light on his mountain and amidst the autumn foliage at sunrise. The photographic style is called "rogue pano" as he takes panoramic photos on his cellphone and battling with the pano algorithm to get the desired effects. These unique images are 100% in camera. No filters, no aftereffects, illustrator and no photoshop. "Day 4; the First Story (apologies to Giovanni Boccaccio)" was shot during the city's second lockdown and evokes the change and fall of the city as seen in the fiery swaths of colour from the trees.
Original Created:
2020
Subjects:
Materials:
Mediums:
DETAILS AND DIMENSIONS
Print:
Giclee on Photo Paper
Size:
12 W x 6 H x 0.1 D in
Size with Frame:
17.25 W x 11.25 H x 1.2 D in
Frame:
White
Ready to Hang:
Yes
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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Please visit our help section or contact us.
An outsider's outsider, Schnaiberg's first art teacher was his grandfather, who studied with Arthur Lismer then built an Art Brut collage 'salon' for over 20 years... After seventeen semesters in art-school [kicked out of some, quit some] Lee finally received a BFA. Spent a decade VJing (Orbital, Aphex Twin, Tsuyoshi Suzuki, the live AV band Technopest and GodSpeed You! Black Emperor) and making experimental documentaries about climate-change solutions, which led into a decade and a half making eco-capital sculptures using capital as the primary medium. Since 2012 Lee has returned to the picture-plane both with his TSIB The Space In Between multimedia series, and his new abstract-expressionist and post-impressionist cellphone paintings. Lee has won awards for his paintings (Laureat du Quebec; CollegeArt '86), videos (Canadian Student Film Festival), and climate movies (EarthVision'98 in Santa Cruz). The Space In Between has recently been written about (published in Springer Nature 2020) in "Tripping on nothing: placebo psychedelics and contextual factors" where they imply his paintings make people as high as if they ate mushrooms.
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