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Fast Forward Portrait Print - Limited Edition of 5

Mirko Credito

Italy

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About The Artwork

Fast – Forward >> Portrait In the artwork of the artist Mirko Credito, the still and the video cameras have always been essential. For each subject of Fast – Forward Portrait, the artist makes a minute of footage, then he produces the record with the "fast forward" active and he instinctively selects a frame. The final work is the frame taken in black white where the aesthetics choice of Credito generates two unrepeatable elements: the subject in the instant in which the tape is stopped and the lines of distortion that overlap the image. The attempt to control the artistic process and the awareness of never being able to actually obtain it are the base of all the Credito research, they are the starting point for each of his investigations and for all of his works.

Details & Dimensions

Print:Giclee on Photo Paper

Size:10 W x 8 H x 0.1 D in

Size with Frame:15.25 W x 13.25 H x 1.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Mirko Credito born in Genoa. Whilst he was studies at art school he founded Studiomobile, an art group still active today, where he started the artistic experiments on video and photography. He attended the School of Applied Arts at the Castello Sforzesco in Milan and in 1994 he began his activity as a graphic designer simultaneously with his artistic activity. From 2011 to 2015, he has been teacher of Digital Design at the Ligustica Academy of Fine Arts in Genoa. Continuously engaged in the field of video art and photography he started research in to the use of food material as an expressive medium. His series Fritture(Fryied)is an evolution of the previous work Maschere di patate (Potato masks)that he made by photographing real decontextualised crisps. The Fritture(Fried)are technically treated according to a particular technique: they are batted and fried in boiling oil, then scanned with a high definition device in order to produce prints in large format. Some of Credito’s objects are a gun, a keyboard, a manga doll. The objects are silhouetted on black backgrounds, like old icons, cut out, almost abstract, well masked behind the gold that frying seems to imbue with gluttony and visual nausea.

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