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Canvas
16 x 20 in ($190)
Black Canvas
White ($160)
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Inspired by Hieronymous Bosch metaphysically rich symbolic landscapes, Dada photomontages by Max Ernst, sensual Surrealist paintings by Paul Delvaux, unapologetic psycho-sexuality of Egon Schiele drawings, and Freudian-Jungian concepts of sexual symbolism as archetypes within dreams and the Collective Unconscious. Goddess Scroll Fragments are alchemical distillations of numerous digital images captured exclusively by my camera/eye of extensive global travels to sacred sites, international model/muse collaborative interactions, fine art fused with popular culture, Nature out of context of Time or Space, baroque theatricality with unexpected details of arcane items for cabinets of curiosities, including occasional objets d'art from innumerable museums as well as my vast sculptural catalogue raisonne and endlessly recombinant psyche transforming through chaotic altered states of consciousness within an insidiously self-absorbed construction of idiosyncratic imagination.
2009
Giclee on Canvas
16 W x 20 H x 1.25 D in
17.75 W x 21.75 H x 1.25 D in
White
Black Canvas
Yes
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Robert Michael Smith is an active pioneer of digital sculpture, 3D CG visualization/animation, virtual reality, robotic CNC milling, 3D printed sculptures and synthetic biology. Smith Retired from teaching Aug. 2019 after 40 years of academia at numerous institutions nationally and internationally including 20 years as Tenured Associate Professor of Digital Art & Design at New York Institute of Technology. Smith exhibited extensively globally during the past forty years including Digital Stone Exhibition at Beijing Today Art Museum, Shanghai Duolun Museum of Modern Art, Chongqing Jinse Gallery, Wenzhou ArtMap Gallery, China including Autodesk Design Museum, San Francisco, CA. Smith’s sculptures are included in the permanent collections of China National Museum of Fine Art at Beijing and Datong Museum of Contemporary Sculpture, During past several decades Smith has served as a Board Director for several 501(c)(3) not-for- profit organizations including International Sculpture Center, Sculptors Guild NYC, SIGGRAPH Manhattan, and continues as a co-founding Board Director of Digital Stone Project. Smith has lectured at numerous universities, international conferences, and featured in several international articles and books including Bruce Wand’s “Art of the Digital Age”, published by Thames and Hudson. October 2012 Smith completed “Biophormatalasmith Stage One: Bio-Sculpture: Rapid Prototyping Human Biological Material for Sculpture”, Art & Science collaboration with Dr. Anthony Atala at Wake Forest Institute for Regenerative Medicine to 3D print living human tissue of an invented sculptural form designed by CAD. This project was a featured lecture presentation, “In Search of the Lost Cord” at XXXVII Brown Symposium, “What Things May Come: 3D Printing in the Fine Arts and Sciences”, Alma Thomas Theater, Sarofim School of Fine Arts, Southwestern University, Georgetown, Texas during February 2015.
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