28
"Identity - Limited Edition 1 of 5" Fine Art Print
$164
Material
- Archival acid-free canvas
- Laminated with protective lustre surface
- Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Size
Select a Canvas Wrap
Frame
Archival-grade Materials
Fade-resistant Inks
Professionally Printed
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Identity: Marilyn Monre in “Some Like It Hot” by B. Wilder. PERCEPTION: Pictures in this project are the result of long exposure photography during the projection of different movies. The second as a time unit in cinema is composed by 24 frames, in this time this process create a new image, in wich...
Year Created:
2015
Subject:
Medium:
Print, Giclee on Canvas
Rarity:
Open Edition
Size:
21 W x 14 H x 1.25 D in
Ready to Hang:
Yes
Frame:
Not Framed
Canvas Wrap:
Black Canvas
Packaging:
Ships in a Box
Delivery Cost:
Calculated at checkout.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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Need more information?
Matteo Damiani is a visual artist and filmmaker born in Milan, Italy in 1987; he works with different media, photos, still frames from movies and Internet archive images and videos. After the act of selection from the Internet flux of images and informations, the photo get material on canvas, where it’s mixed up with colors and heavy paper. The final result is a sort of latent image, fixed on canvas and covered by acrylic painting and papers. The photography project PERCEPTION: Pictures in this project are the result of long exposure photography during the projection of different movies. The second as a time unit in cinema is composed by 24 frames, in this time this process create a new image, in wich different scenes enter in the others, the characters interact in a space and time that is in a limbo between cinema and photography. There is no digital postproduction, no photoshop and overlay, the images are made with long exposure time of the camera during the projection of the movie.
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