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14 x 21 in ($258)
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ABOUT THE ARTWORK
These photographs were taken on a holiday to the beautiful island of Madagascar, where I was exposed to the wonders of the island, the beautiful people, and their way of life. Pirogues are used by the local people as a way to get from island to island as their means of transport and to carry anything from motorbikes to fridges and groceries which are then carried across the ocean on these pirogues. This photograph was taken on the island of Ille St Marie just off of Madagascar.
DETAILS AND DIMENSIONS
Print:
Giclee on Canvas
Size:
14 W x 21 H x 1.25 D in
Size with Frame:
15.75 W x 22.75 H x 1.25 D in
Frame:
White
Canvas Wrap:
White Canvas
Ready to Hang:
Yes
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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Please visit our help section or contact us.
Caddelle Faulkner
South Africa
Caddelle was born in Johannesburg, South Africa (b)1967. In the present digital era - technology brings a new contemplative and observable perspective to the advance of computing in many areas of traditional art. The shift between physical space and virtual space is evolving in rapid successions of discovery and innovation. Caddelle is a Multi-disciplinary and extended reality artist who explores this consequential divide with an innate link to the mediums of the ‘traditional arts and the multi-faceted digital experience; for him, the immersive is not a solitary experience but rather one of sharing the discovery that contemporary art-making can deliver. In the continued momentum of investigating and developing his art, he is merging collective links between ‘real space’ and the digital environments exploring the multiple possibilities incorporating Virtual reality, augmented reality, holographic and optical projections to create a mixed reality digital art experience. With this in mind, he invites the viewer to interact and participate in both the tactile and digital evolution of art.
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