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Manganese #4 - Limited Edition of 25 Print

Mari Amman

Norway

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21 x 14 in ($215)

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ABOUT THE ARTWORK

"Maybe you are searching among the branches for what only appears in the roots.” -Rumi MANGANESE, 2019, film photography, sizes variable. The film exposures from beneath a budding tree in spring are cast in a light reminiscent of the mineral Manganese. The element related to the metabolic processes within the human body are also used in manufacturing to prevent corrosion. The images aesthetically work to create reverence with the relationship humans have with nature. In high concentrations, Manganese is lethal, and in deficits cause great pain. As Elaine Scarry writes in On Beauty and Being Just, Beauty offers experiences leading to resolutions of inner turmoil. The balance of energy, motivation, and resources for a tree to grow also follows in traditions of seekers and sages of wisdom. 

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

21 W x 14 H x 1.25 D in

Size with Frame:

22.75 W x 15.75 H x 1.25 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Mari Amman (b. 1984, Dixon, Illinois, USA) is an artist working with allegory through interests in the secular and sacred. Poetic beauty and insights in relationships between the subconscious, technology, and built environments synthesize in a research based praxis. Geological Empathy and Sublime Rheology are concepts underscoring critical considerations in the ethical and moral applications of the imaginary to influence the real. The relations between idealism and environments results in reflective works with images, installations, poetry, performance, painting, sculpture, video, textiles and design. An EIT Culture & Creativity Expert Evaluator, Amman works with biology, technological and geological scientists, music, architecture, and culture professionals. Her interest in socially and empirically determined forms of intelligence grew from familial and formative influences being raised near the Agonic line, surrounded by forest, prairie preserves, a nuclear power plant, and industrial agriculture. Ancestry with political activist Ellen Ammann and landscape artist Harriet Sundström motivated auto-ethnographic research after moving from USA to Norway. Her critical apprehensions in geopolitics, background in music, dance, design, and marketing built upon her research in social psychology, philosophy, temporality, beauty, sound, memory, somatics and parietal perception relative to technocratic conflations of scientific methods and the realm of fantasy in science fiction. She is a foundational artist to Art Farm Iowa (US, 2023) and Arte Expuesto (MX, 2023). Afjordance screened during AWMAS (UCSB, 2020); Omniscient, monolithic image and text, was awarded 1st by the jury in the Imaging New Eurasia exhibition, in Gwangju (SK, 2015). She was poet and artist-in-residence in Paris (FR, 2023), Bonny Doon (US, 2022), Kjerringøy Land Art (NO, 2020) guiding forest bathing and presenting Sublime Timescapes. She developed trauma informed psychological research and practical methods at Angelot-Trélex (CH, 2019), PraksisOslo, Praxisdansfestivalen, and Butoh residency with Mushimaru Fujieda at KHiO (NO, 2017, 2018).

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