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Original Conceptual Outer Space Photography by Colin Mitchell
Original Conceptual Outer Space Photography by Colin Mitchell
small-01
Original Conceptual Outer Space Photography by Colin Mitchell
small-02
Original Conceptual Outer Space Photography by Colin Mitchell
Original Conceptual Outer Space Photography by Colin Mitchell
Original Conceptual Outer Space Photography by Colin Mitchell
Original Conceptual Outer Space Photography by Colin Mitchell
Original Conceptual Outer Space Photography by Colin Mitchell

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"Moonrise" Fine Art Print

Colin Mitchell, Canada

$135

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
16 x 16 in ($135)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This work is a photomontage incorporating a found archival Inkjet print and a photo of mine printed using archival Inks on a transparent acrylic digital ground all mounted on an aluminum panel. It is a fantastic imagining of future possibilities for our world.

Year Created:

2010

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Rather than having a single style of repeated works, I prefer to have a large group of themes, ideas and styles to draw from which I periodically re-visit, and which will continually grow, evolve and influence each other, leading to new interests over the course of my lifetime. I take a very long-term approach to art creation, seeing the scope of my past, present and planned future work all together, and how it will all be unified at the end of my life into a cohesive whole. I feel that approaching art in this way keeps my work fresh, and helps it to be less repetitive and formulaic than if I were to work in the same style for long periods of time, repeating the same motions and artwork over and over. This decision echoes my feeling that life is a long series of learning adventures in which we examine our surroundings and turn them inside-out to study and interpret them, then show others what we have learned from the experience.

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