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View In My Room

Prismatic Print

Jane Trotter

New Zealand

Open Edition Prints Available:
Select a Material

Canvas

Canvas

Photo Paper

Fine Art Paper

Acrylic

Metal

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14 x 21 in ($160)

14 x 21 in ($160)

16 x 24 in ($173)

20 x 30 in ($198)

24 x 36 in ($247)

30 x 45 in ($384)

Select a Canvas Wrap

White Canvas

White Canvas

Black Canvas

Add a Frame

White ($150)

White ($150)

Black ($150)

No Frame

$310

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ABOUT THE ARTWORK

When Spring arrives, the morning sun is at just the right angle to shine through a small glass prism hanging in my kitchen window. With a gentle twirl, I can set a myriad of tiny rainbows spinning across the walls. It’s a great way to start the day. I’ll often hold the prism in my hand and observe it’s intricately cut glass with dozens of minute triangles reflecting the light. This tiny prism was the inspiration for ‘Prismatic’, although the actual image itself was created from entirely different subject matter. I like to imagine all of the colours of the rainbow hidden inside the little angular frame just waiting for the sun to set them free. Deliberately mirroring the prism’s shape and embracing the idea of triangles to establish a sense of form and design, ‘Prismatic’ has given me plenty of scope for my love of geometric construction to ‘shine’ through. If none of the sizes available on Saatchi Art meet your requirements, please let me know and we can discuss options for you.

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

14 W x 21 H x 1.25 D in

Size with Frame:

15.75 W x 22.75 H x 1.25 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Imagery which challenges creative boundaries and stimulates the imagination has always been at the forefront of my abstract photography. Exploring more unconventional methods of interpretation and presentation, I take familiar, everyday items found around my home and transform them from the ordinary into the extraordinary; this is my ‘Abstracted Reality’. Right from the outset, my photographic vision has been to look at objects with fresh eyes and a new perspective. For me, photography is not so much about artistically recording what is there, but creating something new and different out of what exists already. I want to give new life to a subject, to alter and challenge the viewer’s perspective and to invite a sense of mystery, wonder and intrigue. To achieve this, I made the conscious decision not to heavily manipulate or artificially create my photographs. Having to rely on my own imagination and creativity was invigorating, and through this process, I came to realise how highly I value the truthfulness and authenticity of a photographic image. I don’t want to manufacture my pictures in the computer. Paradoxically, I want my ‘unreal’ abstracts to be as ‘real’ and authentic as possible. The use of colour, bold shapes and patterns, and strong, simple graphic design elements feature strongly in my work. I tend to use colour as a means of highlighting and dramatising shape and form so that each image has a unique signature and presence, managing to blend the mysterious with a hint of the familiar which can’t quite be grasped.

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