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Rock garden, Ryōanji temple, Kyoto, Japan. Print

Rafal Krol

Ireland

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About The Artwork

Rock garden, Ryōanji temple, Kyoto, Japan. The Ryōanji garden is the one of the most famous examples of a rock garden—a form which developed during the Muromachi period (1392-1573) with the efflorescence of Zen Buddhism in medieval Japan. This type of garden consists of rocks and pebbles rather than vegetation and water, and was mainly created on the grounds of temples for encouraging contemplation. White gravel often symbolizes flowing elements such as waterfalls, rivers, creeks, or sea, while rocks suggest islands, shores, or bridges. They are fifteen rocks of different sizes are carefully arranged in groups amidst the raked pebbles covering a 250 square-meter rectangle of ground. The stones are carefully arranged so that one can only see no more than fourteen of the fifteen at once from any angle. Staring from the largest group on the far left, a visitor’s eyes rhythmically move through the garden from the front to the rear and back, and then from the front to the right upper corner. The photograph is showing the right upper corner stones.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Rafal was born in 1975 and grew up in Bielsko-Biala, Poland. In 2004 when Poland become a member of the European Union and the borders were open, he came to Ireland and has lived here since. Krol bought his first digital camera to record his stay abroad. He has been thinking of photography since he can remember but hadn’t had opportunity to take any single photo until then. After the initial fascination of having a camera and taking photographs of everything everywhere, he began to focus on minimalistic black and white seascape and landscape photography for the past few years. Nature, the sea coast and the mountains always have been inspiring to Krol. These are places which he enjoy visiting most, where he rests and restores his vital energy. Most of Rafal’s photographs are black and white, because he believes the lack of colour allows an observer to focus more on the frame and composition. Rafal prints in small formats. He likes when a person looking at the photo is close to it, to be able to see every single detail of the image from close proximity, and at the same time to be able to admire the whole frame.

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