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Original Documentary Architecture Photography by Steven Doyle
Original Documentary Architecture Photography by Steven Doyle
small-01
Original Documentary Architecture Photography by Steven Doyle
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Original Documentary Architecture Photography by Steven Doyle
Original Documentary Architecture Photography by Steven Doyle
Original Documentary Architecture Photography by Steven Doyle
Original Documentary Architecture Photography by Steven Doyle
Original Documentary Architecture Photography by Steven Doyle

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"Sassi di Matera" Fine Art Print

Steven Doyle, Ireland

$40

Material
  • Premium glossy photo paper to provide superior color gamut and stunning image quality
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with glossy finish
Photo Paper
Size
12 x 8 in ($40)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Black and white image of the beautiful Sassi ( The ancient town) di Matera in Basilicata, Italy, more than 1000 years old. You will be sent the image in a rigid tube, and it is ready to hang in a frame of your choice.

Year Created:

2022

Subject:
Medium:

Print, Giclee on Photo Paper

Rarity:

Open Edition

Size:

12 W x 8 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

My work is grounded in portraiture as a practice of presence, trust, and attentive witnessing. I am drawn to the human face as a space where lived experience is carried, where emotion, resilience, and vulnerability exist side by side. Through the camera, I aim to create portraits that are honest, respectful, and dignified, allowing each person to be seen on their own terms. Much of my practice is shaped by long-term, socially engaged projects, particularly those exploring marginalisation, health, and identity. Working across both documentary and fine art contexts, my intention is to slow the viewer’s gaze and foster a sense of connection, inviting an encounter rooted in empathy, curiosity, and respect.

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