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View In My Room

The Mind as interruption and possibility of the landscape #1 - Limited Edition of 25 Print

Marc Samper

Spain

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12 x 6 in ($40)

12 x 6 in ($40)

24 x 12 in ($70)

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ABOUT THE ARTWORK

Photography-Digital Art fine art prints.Glicée prints on Hahnemühle Museum Etching paper. This a series of photos shot in Liepnitzsee. Are compositions of 2 or more photographs. First, one photo of a landscape in Liepnitzee. Then, a second layer with the photos of very peculiar plants I saw emerging from the lake. These plants looked like very thin sticks that, projected and mirrored on the water of the lake, had a very subtle effect. It seemed, somehow, the graphs in which the rhythmic activity of the brain can be read in an encephalogram. Or even the waves drew by a seismograph or the representational graphs of the sound. In some photos, you can find one of these actual graphs. These graphs will be, and this is somehow important to note, hidden in the photography.  Thus, there is like noise, or frenzy movement, that interrupts the view of the landscape, that appears diffuse at the back.  There is like a continuous cognitive frequency that avoids the pure contemplation of the landscape. However, the mind is, in human beings, the device that has allowed him to separate himself, in a certain grade, from his instinctive life, from his immersion in the environment. It is the organ that has allowed him to take a step back, pause the flow of nature, and make the landscape appear as something merely before the eyes, as a space for contemplation, a horizon. The mind is both interruption and possibility of the landscape. 

DETAILS AND DIMENSIONS
Print:

Giclee on Photo Paper

Size:

12 W x 6 H x 0.1 D in

Size with Frame:

17.25 W x 11.25 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Marc Samper studied philosophy at the University of Barcelona (UB) and a master's degree in Film Studies and Contemporary Audiovisual Culture at the Pompeu Fabra University (UPF).  
 This last year, from October 2020 to April 2021 he had a scholarship as Artist in Residence at Urban Nation Berlin. In the framework of the same, she realized the Video-art and installation project The Hanging gardens or the virtuality of the events. Haiku on screen.  
 Always trying to combine his work as a videographer and filmmaker with his own projects, in 2015 he travels to Greece to shoot what will become his first feature film, Marathonas. There, coming into contact with the music scene surrounding the Labyrinth Musical Workshops in Crete, he has the opportunity to shoot a small experimental documentary about Ross Daly and his vision of modal music, Laberint.   
 Since then he continues to make short video-art pieces as well as photography and digital artworks.  
Feeling inspired by filmmakers such as Nathaniel Dorsky, Stan Brakhage, or Val del Omar, Marc has always been interested in working the image to seek a displacement of consciousness from different phenomenological parameters. More than in the language itself, Marc is interested in the voids that circulate through it and from which one can access a "vision" from which to recompose reality and create new series of thought. 

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