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Fine detail of victorian ironworks in station canopy. The paintwork seemed to highlight creeping legs as I looked through the viewfinder in a deep blood red that made me think of the hard lives lost in creating much of the empire's major works. The medium of the limited edition is Giclee on aluminium Dibond. --- This image is in my Tesselations series, a deceptively simple technique that requires precision in the shooting stage to create a base tile for the full tesselation. The result creates closures of form that generates an image that is at once both graphic and photographic. One sees the graphic nature of the image from a distance, and then appreciates the photographic on closer, or second look. A series of images that invites and rewards deeper contemplation.
2015
Giclee on Canvas
16 W x 16 H x 1.25 D in
17.75 W x 17.75 H x 1.25 D in
White
Black Canvas
Yes
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Art prints are packaged and shipped by our printing partner.
Printing facility in California.
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United Kingdom
Born and bred in the shadow of the Pennines on the interface between urban and rural life I have always found my place 'in-between' - a life of contrasts. Working for many a year as a highly disciplined software engineer in life and mission-critical systems across the globe I have a keen analytical mind; but also a compassionate and creative soul, a writer and photographer. I believe categories, labels, are for shelves not people - and I seek to blur the boundaries of identity. My writing aims to make the beautiful ugly and my photography, the mundane extraordinary. For people and things are never simply 'this of that'; for all things express the contradiction of the human condition: neither self nor herd; neither transient not eternal; neither physical pain nor spiritual bliss - but something other, something in-between. I photograph the unseen, the otherness of our lives.
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