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Water disturbance / Surf of the Caspian Sea Print - Limited Edition of 5

Karina Ananikian

Georgia

Open Edition Prints Available:
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12 x 8 in ($100)

12 x 8 in ($100)

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Water does not obey anyone's laws, even if they try to force it into boundaries. She smashes against the rocks over and over again, as if testing their strength. Like the people who live here, they are strong, indomitable, but always arguing with the world. This work is part of the collection "Bet...

Year Created:

2024

Subject:
Medium:

Print, Giclee on Photo Paper

Rarity:

Open Edition

Size:

12 W x 8 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

My name is Karina Ananikian. My photography practice I started because of the internal call. I liked to make beautiful pictures. Later I wondered what makes the shot recognizable and how to get that very photo so that every frame is unique, a unit, not a streaming image. Then the idea came: "From already existing create not yet existing". I started experimenting, studying the effect of light and color. Post-processing has always been an integral part of my work, but suddenly I allowed myself to take the frame away, let the original material change its meaning at its core, give the process whole, not knowing the result in advance, but feeling it in the process. And it started to work out, I was enjoying the visual pleasure of my work. At one point it wasn’t enough. I didn’t understand what was behind each picture, they started to seem empty. But how to solve this, I could not understand. Suddenly came the community of meaningful photography, taking into account context, thought, purpose. And it all turned around. It became clear how I should go on. I did visual research, suffered defeats, sometimes finding answers, but more often stumbling upon questions. This gave a new twist in development. Since then, my practice has become more conscious. And it seems that the next crisis is still far away.

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India Balyejusa, Senior Curator