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Imagined Communities - Limited Edition 1 of 1 Print

Hakan Sarkdemir

Turkey

Open Edition Prints Available:
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21 x 14 in ($186)

21 x 14 in ($186)

24 x 16 in ($200)

30 x 20 in ($229)

36 x 24 in ($287)

45 x 30 in ($446)

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Black Canvas

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

depicting imaginary world order inspired by Dante's Inferno

Year Created:

2016

Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

21 W x 14 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Hacettepe University Master of Fine Arts in Painting. Born in Uskudar, Istanbul (1971), where he lived between 1995-2001, Hakan Sarkdemir was educated in Kuleli Military Highschool. He studied business administration at The Faculty of Political Sciences in Ankara, where he still lives. He was the poetry editor of Atlilar magazine during his Istanbul years and worked as inbetweener and animator at Umut Sanat Animation Studio. He met with other young poets from his generation, with whom he has been associated for years and founded Karagoz magazine in 2008. His drawings, paintings, and visual poetry works were published in miscellaneous magazines. He has translated the poetry books and writings of William Blake. He is the author of four poetry collections, most recently Kul Hakkı Kulak Arkası (2011), Yerçekimi Bilgisi (2007), Tadat (2006) and Batık Degirmenler (1997). His essays on modern epic poetry were collected in a volume named Kahramanın Dönüsü (which won Türkiye Yazarlar Birligi Award in literary critic, 2008).

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