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Never - Limited Edition of 13 Print

Dylan Bell

United Kingdom

Open Edition Prints Available:
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Canvas

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12 x 16 in ($95)

12 x 16 in ($95)

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White Canvas

Black Canvas

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White ($135)

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$230

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ABOUT THE ARTWORK

Stick it to the man! With this overprinted pair of images. These prints come signed, titled, in a small run edition.  You can purchase 'Now', 'Never', or both as a pair. One half of a pair of hand stenciled images overprinted with black ink in half tones from 1950s pulp. Never represents a gentleman who will never give up his rights. Never is not prepared to accept less than he deserves. His strong moral compass holds him steady in the rough waters of life. All prints are completed on A3 (approx. 30cm x 42cm) 300gsm card using fade resistant inks and paints. They are all manually hand stencilled, individually (colour separated) printed, embossed and come backed on cardboard and sealed in a biodegradable cellophane slip.

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

12 W x 16 H x 1.25 D in

Size with Frame:

13.75 W x 17.75 H x 1.25 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Dylan grew up and studied in New Zealand, where he created large ‘paste-up’ pieces and developed a love for the graphic qualities of photocopy, and screen-printing. He moved to Scotland and taught in the Lothians before leaning back towards developing his own practice. More recently his small batch, hand-produced pieces have gained a pop vibrancy, both in colour and imagery. Current works predominately use a variety of over-printing techniques with stencil blocked spray-paint as a base. Spraypaint is his number one medium, offering endless possibilities for creative layering, especially in conjunction with silkscreens. His collectable numbered editions (on paper), the stencilled and paste-up street art, and re-worked vintage one-offs that he produces cover a wide range of subject matter and themes. He uses images of well-known locations, architecture, nature, pop-culture, typography, street art, and vintage magazines/comics to make graphically hand cut pieces for his collectors, and the public. His works are easily recognised by the colour key in the margin, which show the individual colours used and number of layers that have been built up. “My mind breaks everything into a series of block-layered colours. I enjoy focusing on the graphic geometries of images, their registry points, and look at all compositions as a series of colour strata. Collating, and playing around with; old postcards, vintage art, comics, and pop culture imagery, gives me a starting point for compositions, a place to drop my craft-knife into, old-school analogue hand-cut stencils”.

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