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Achilleus ΜΗΝΙΣ Print

Charlayn von Solms

South Africa

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About The Artwork

This assemblage is based on the character Achilles, the hero whose quest for kleos forms the basis of the Iliad. Homer describes Achilles as a swift, temperamental warrior, and the best of the Achaeans. In the Iliad, Achilles’ anger is the catalyst for the events that make up the poem. Unlike Odysseus, Achilles trades his return home (nostos) for a death in battle that will win him poetic immortality. Achilles’ kleos is diminished by Agamemnon’s disrespect and his subsequent refusal to fight, but restored when he avenges the death of Patroclus. ΜΗΝΙΣ (menis) serves here as an epithet of Achilles and refers to anger; wrath, and ire and is also the first word and topic of the Iliad. The sculpture was created from the following: Fishing buoy, spoked wheels, rotary breast-drill gear, Jamboli food press lid and handle, lid and threaded shaft, flame-shaped finial, Jaffle toaster mould plate, various bell and cup shaped lamp holder components, jingle bell, coffee-press plunger shaft, cutting tool handle, anniversary clock base, linoleum tile, wood (Obeche), enamel paint

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:9 W x 12 H x 0.1 D in

Size with Frame:14.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The only artist on the planet who explores the compositional methods of ancient Greek poets through the medium of contemporary sculptural assemblage. Unique, obscure, and totally off-trend. In literary translation the content of oral-formulaic poetry is often more effectively conveyed than its form. The sculptural assemblages on this page serve as a visualization or ‘aesthetic translation’ of the formal artistry of two ancient Greek epics – Iliad and the Odyssey. The result is a visual exploration of correlations between what the poems say and how they say it. Each individual sculpture functions as a personification of a character from the Homeric epics. Each set of sculptures represents a ‘composite object portrait’ that depicts Homer not as a person, but as a continually adaptive constructive system.

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