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Original Realism Body Sculpture by Maksim Kuznetcov
Original Realism Body Sculpture by Maksim Kuznetcov
small-01
Original Realism Body Sculpture by Maksim Kuznetcov
small-02
Original Realism Body Sculpture by Maksim Kuznetcov
Original Realism Body Sculpture by Maksim Kuznetcov
Original Realism Body Sculpture by Maksim Kuznetcov
Original Realism Body Sculpture by Maksim Kuznetcov
Original Realism Body Sculpture by Maksim Kuznetcov

4

"Arm and foot study" Fine Art Print

Maksim Kuznetcov, Australia

$95

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
12 x 16 in ($95)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Life-size arm and foot study

Year Created:

2015

Subject:
Styles:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

12 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I am a Sydney-based figurative representational sculptor whose practice centres on the exploration of human emotion, existential questions, and the blurred boundaries between self and world. Working primarily in sculpture — through modelling in water-based and oil-based clays, mould making and casting in bronze, epoxy, plaster — I translate fleeting emotional and spiritual states into tangible, sometimes abstracted figurative forms. My techniques is predominantly based on modelling from life or from anatomical studies of drawings I made from live models. I control surfaces and often use colour on my sculptures to amplify psychological depth. Inspirations stem from the human condition: the tension between joy and suffering, the illusion of self, the legacy of religion versus humanism, and the expressive power of the body. I draw from art historical references such as Francis Bacon and Eadweard Muybridge, alongside philosophical and meditative inquiry into consciousness and connection. My intent is to create works that invite viewers to meet and sometimes to confront their own emotional journeys — from birth to death, isolation to unity — and to find resonance in the beauty and fragility of lived experience. Through sculpture, I seek to make the intangible inner world to be visible, fostering moments of recognition, contemplation, and connection.

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