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Canvas
21 x 14 in ($129)
Black Canvas
White ($150)
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Black stoneware, resin, 24ct gold leaf Breathe (a pair) presents aspects of psychological trauma and healing as a physical narrative. Exploring the fragility and resilience of the human condition through the violated materiality of the portrait. The work begins its journey in the traditional sense of realistic representation, then seeks to expand the parameters of the genre beyond a lifelike representation through a process of destruction and repair to convey a journey of grief and trauma to healing and wellbeing. Emotional encounters are imbued into material form. The illuminated resin sections represent an enlightenment through experience. The act of making, destroying and repairing demonstrates a universal metaphorical journey. This work sits quietly and meditatively presenting imperfections, pain and memories - the scars of life. Embracing and accepting fate as part of what it is to be human. Inspired by the ancient Japanese art of Kintsugi (the repair of broken ceramics with gold), a philosophy of seeing beauty in imperfection. The fractured portrait seeks to consider a critical engagement with the viewer, confronting fundamental questions of the inner self and aspects of mental health and wellbeing.
Giclee on Canvas
21 W x 14 H x 1.25 D in
22.75 W x 15.75 H x 1.25 D in
White
Black Canvas
Yes
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United Kingdom
I sculpt portraits - seeking to interrogate identity through form, form with authorship, process and time. I aim to project the immaterial as material. Posing questions of the innate and the imbued - nature verses nurture Mapping the inside outside, creating a visual diary - a narrative to make sense of who we are and what it is to be human Inspired by portrait art of the past, from broken ancient artifacts to Old Masters and the philosophical ideas of Kintsugi, my work often involves destruction and repair, realism and abstraction, paralleling the process of making with altered states and adapted minds. I try to translate the inner being through a disrupted surface, creating new and different visual conversations. Using the traditional skills of realistic portrait sculpture as a point of departure, I experiment with colour to deceive and processes of making, destroying and repairing as a metaphorical journey of trauma and healing - the scars of life – a way of trying to make sense of what it is to be human, a way of trying to make sense of who I am. Member Royal Society of Sculptors Member Society of Portrait Sculptors Born in Northumberland in 1965, Billie Bond grew up in Essex and continues to live there now. An early career in nursing gave her an appreciation of human anatomy, which she considers sensitively in her figurative representations. Billie gained a 1st class Honours Degree in 3D Design 2011 at Colchester School of Art where she is now studying for an MA in Sculptural Practice. Her 20 years experience as a designer-maker includes designing children’s furniture, interiors, interior decorating and painting murals. During studies, her creative ideas were expressed in the form of figurative sculpture. She has guest-lectured in portrait sculpture at The Art Academy, London and has some of her work published in Modelling & Sculpting the Figure by Tanya Russell (2012). Inspired by broken ancient artefacts as fragments of social being, Billie uses this notion to create figurative works that question the lives of everyday people around her. In 2009 Billie sculpted on the 4th Plinth in Trafalgar Square as part of Anthony Gormley’s ‘One & Other’. Listen to interview below.
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