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Divine Crystalline Print

Ray Besserdin

Australia

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About The Artwork

Of all the feminine spirits manifesting as nature’s principles, the Divine Crystalline brings forth the perfectly ordered structure of the solid elements from which our whole galaxy is formed. As one of the universal foundation energies, all life depends in one way or other upon her being. She provides life with elemental materials and then continues to radiate her influencing energies in ways well understood by eons of those with knowledge of her esoteric core. Her confident gaze emanates from her most ancient wisdom and benevolent purpose. Her geometric crystalline beauty materialises in forms of glistening clarity, ethereal translucence or solidity asserting her indomitable strength, perfectly aligned with all that makes this awe-inspiring universe. Head sculptured from handmade 40gsm mulberry Kozo with crystals of 30gsm archival glassine on a foundation of Arches hot pressed 300gsm cotton papers. Ink tinted face details. Framed in a 5-sided clear acrylic box, ready to hang.

Details & Dimensions

Print:Giclee on Photo Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Internationally acclaimed Paper Sculpture Artist from Melbourne, Australia. Ray Besserdin, has established a 35-year career that is recognised internationally with extensive awards to date, including two gold from New York, and a “Gold Medal for Creativity” from Mondial Art Academia, France. Born to artist parents, Ray’s techniques are entirely self-taught. He sculptures artworks dimensionally much like bas-reliefs working with “a palette of sheet-formed papers” that offer a wide spectrum of colours, textures, solidity, and delicate translucency. The stocks are mostly mould-made or handmade cotton, mulberry (Kozo), hemp and flax stocks from Europe and Asia. Works range from miniature to over 6 by 3.8 metres and vary from abstract to ultra-realistic. Inspired by painters of the French Impressionist Period, Ray pioneered and developed a technique to achieve their kind of aesthetic expression using sculptured torn papers three-dimensionally, where they used paint two- dimensionally. This “Impressionist Sculptured Paper” is what he considers his signature style. Its focus is to capture emotion, life, and expression over realism using torn, raw pieces arranged into the likeness of the subject yet always revealing the character and nature of the papers from which the subjects are created. Nature is his favourite subject matter. Works hang in private and corporate collections in London, Monaco, Munich, Manhattan, Tokyo, New Zealand and throughout Australia. Ray is Australian Ambassador for Mondial Art Academia, France.

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