Soul Print

In the late eighties and early nineties, Višnja Petrović has been exploring small objects through an interplay between materials and forms (under the two general titles: „Body“ and „Soul“). It was a rather hedonistic experiment and solitary walk through the matter. Surprisingly enough, last year Višnja realised that her interest for the small abandon industrially made objects, upgraded with architectures made of transparent material capturing light, still matters today. In particular it resonates with her everlasting quest for fading lights coming from the inner space of objects, as a metaphor of the very idea of life. The rationales behind the objects created in 2019, although seemingly looked as a space revisited, is essentially different. The current project SMALL, STILL, INVISIBLE is a result of a mature intimate narratives, not bounded with any rigid ideology or spoiled with unnecessary reference to a formal values or efforts to comprehensively control the artefact in the space.