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sensorium no 2 Print

Harmen van der Tuin

Netherlands

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ABOUT THE ARTWORK

The characteristic of my current art is movement and monochromes, light and shadow. to play with light and shadow I often use embossed and ribbed surfaces. This is for the immaterial effect and spatial expansion. There is no sharp border in my work between painting and sculpture and design. I also strive for a symbiosis between nature art and technology

DETAILS AND DIMENSIONS
Print:

Giclee on Fine Art Paper

Size:

10 W x 10 H x 0.1 D in

Size with Frame:

15.25 W x 15.25 H x 1.2 D in

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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I get my inspiration from minimalism and abstract expressionism My works subscribe to the western tradition of gestural painting. The movement becomes the painting, and it’s all about material, about paint ,about the sculptural presence. The content of my work explain a new minimalism, the fascination for the sculptural potential, of the brushstroke, and the physical properties of the material, which become subject of the artwork. And that I use mostly monochrome Colour, is that I see that there must be a balance between form and space. I think that good art is showing the present moment, the now And the present moment is without form, it is the gate to formlessness .and spaciousness And the nice thing about art it is the reflection of the state of mind of the artist Music is not possible without this spaciousness, this stillness I have the opinion that good music has a good balance between sound and stillness, Good art is carrying the not visible in it. There is a subtitle balance between form and formlessness. Why are people touched by art.? What is recognized, what is resonating I think that there is a deep recognition, a deep reflection of something what is already there. I fact the deepest is touched in you, and that is a feast of recognition. That is the true aesthetic experience

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