
Chiang Mai, Northern Thailand, Thailand
I never truly begin with a blank surface. Even empty paper carries something: old marks, raw fibers,...
About the artist
Joined In 2021
(19 Followers)
About the artist
Joined In 2021
(19 Followers)
I never truly begin with a blank surface.
Even empty paper carries something:
old marks, raw fibers, the memory of a gesture I haven’t made yet.
I let these remnants stay.
They are part of the conversation.
My process moves in many states at once—
searching and listening, planning and drifting,
certainty crossing paths with hesitation.
I follow color into color, line into form,
not because I know where it leads,
but because the next step only appears in the moment I take it.
I work with what remains and what arrives,
with traces that feel honest,
with accidents that feel more truthful
than anything I could decide beforehand.
Sometimes I cover everything;
sometimes I leave the beginning exposed
so the past can breathe inside the present.
I don’t paint to resolve things.
I paint to stay inside the shifting—
where intuition forms before language,
where thought hasn’t yet become a sentence,
where the unfinished is allowed to remain unfinished.
Each piece is a layering of moments:
a record of attention changing shape,
a meeting between what I carried in
and what the work asked from me.
The result is not a final answer,
but the trace of having been here,
moving, feeling, questioning, becoming.
Faculty of Painting, Sculpture and Graphic Arts, Rajamangala University of Technology Lanna
2001 - Exhibition of Mini Prints, Chiang Mai, Thailand
2002 - RIT Art Exhibition, Chiang Mai, Thailand
Art Thesis 2004 , Chiang Mai University Art Museum
Art Competition 2004 Toshiba 16th "Brings Good Things To Life", The National Gallery, Bangkok
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