Simon Neville

Contemporary artist with 35 years of professional practice (1990-present) based in London/Richmond, UK. Specialising in urban and industrial cityscapes, landscapes, and abstract collage and paintings. Royal Academy Summer Exhibition 2024 exhibitor and sale, ING Discerning Eye 2021 exhibitor and sale. Exhibited by major New York and London galleries. Published, illustrated work for The Paris Review and Farrar, Straus and Giroux.

[Note for COLLECTORS and CURATORS, please look at my Artist Series collections of my work in the All Artworks section for a thematic overview of my diverse practice. Current themed collections include: London Parks and Commons and Urban Britain]

SELECTED EXHIBITIONS (Recent & Key)

● 2024-Present

Royal Academy Summer Exhibition, London — 2024 (exhibitor, sale)

Winter Exhibition, Russell Gallery, London — 2024-25

● 2021-2023

ING Discerning Eye, Mall Galleries, London — 2021 (exhibitor, sale)

Winter Exhibition, Russell Gallery, London — 2023-24

● Pavel Zoubok Gallery, New York (3 Group Exhibitions 2005-2007)

In Context: Collage + Abstraction — 2007

The New Collage — 2006

Collage: Signs and Surfaces — 2005

● Inventory art collective (1995-2000)

Represented by The Approach Gallery, London

Twent...

BA (Hons.) Fine Art - Middlesex University, 1990

SELECTED EXHIBITIONS (Recent & Key)

● 2024-Present

Royal Academy Summer Exhibition, London — 2024 (exhibitor, sale)

Winter Exhibition, Russell Gallery, London — 2024-25

● 2021-2023

ING Discerning Eye, Mall Galleries, London — 2021 (exhibitor, sale)

Winter Exhibition, Russell Gallery, London — 2023-24

● Pavel Zoubok Gallery, New York (3 Group Exhibitions 2005-2007)

In Context: Collage + Abstraction — 2007

The New Collage — 2006

Collage: Signs and Surfaces — 2005

● Inventory art collective (1995-2000)

Represented by The Approach Gallery, London

Twenty Thousand Streets Under The Sky, The Approach Gallery, London — 1999

Crash, ICA, London — 1999

Accumulate-Replicate, Modern Institute, Glasgow — 1999

International exhibitions: Prague, Vienna, Paris, Hiroshima

Contributed to Inventory journal (14 issues, 1995-2005)

[Note: Inventory was later nominated for Beck's Futures prize in 2003]


PUBLISHED WORK & COMMISSIONS

● Hand-painted lettering (Published) - The Paris Review, Issue No. 222 (and for related Paris Review Tote Bag) — lettering for cover illustration — Fall 2017

● Cover Art (Published) - The Vertical Hour by David Hare — cover illustration "Whole and Flowing" — 2006

● Critical Review - "Gallery Going"...