Smit Khond

I work in abstraction, mostly. The kind that leans into rhythm, misreadings, and the tension between clarity and ambiguity. Some pieces build slowly, others shift mid-process. I’m drawn to the mechanics of restraint—what gets emphasized, what stays unresolved, what resists being tidied up.

There’s rarely a fixed narrative, just forms in quiet negotiation. I spend a lot of time with each piece: adjusting, pausing, undoing, circling back. Some decisions are instinctive, others almost obsessive. What holds it together is rarely a conclusion—more often, it’s a moment of honesty that feels quietly earned.

Sometimes it hovers; sometimes it anchors. Either way, it leaves space for what’s not said.