Vasili Zianko

Vasili Zianko was born on November 8th, 1977, in Stolbcy (Belarus), lives and works in Minsk (Belarus).

Since 2009 - member of Belarusian Artist Union
Since 2011 - member of Belarusian Design Union
Since 2019 - Chairman of the section of monumental
and decorative arts Belarusian Artist Union.

Majority of his art activity dedicates to design, decorative and applied arts. Preferred techniques include wall painting, ceiling painting, mosaic, relief, stained glass. Works are characterised by high professional level, ability to think constructively and develop large volumes of enclosures, bending them according to his own design.

Creative background of the artist includes such major monumental projects, as "TIME" relief (115 m2) for Republic Clinical Medical Centre; wall and celling painting (40 m2) in Independence Palace (residence of the president of the Republic of Belarus); murals in the showroom (70 m2) in National History and Culture Museum-Reserve «Niasvizh» according to the project of D.O. Sursky and A.G. Trusov; "Ancient Greece" relief (27 m2) at a GEFEST facility; relief (10 m2) at "Priozerny" sanatorium (Office of the President of the Republic of Belarus); murals (6 m2) at Center of Enviromental tour...

1989 - 1996 - attended Belarusian Art Lyceum (nowadays - Ivan Osipovich Akhremchik art gymnasium-college)

2006 - Graduated from Belarusian State Academy of Arts, faculty of Design and Decorative and Applied Arts. Studied from People's Artist of the Republic of Belarus:
G.K. Vaschenko, A.V. Baranovsky, honored artist of the Republic of Belarus V.L. Zinkevich.

Since 1995 actively participates in different exibitions, both regional and international. As today Vasili conducted more than 11 personal projects at different public showrooms in Minsk (including National Art Museum of the Republic of Belarus and National Modern Arts Center), Warshaw (Poland), Vienna (Austria), Vitebsk (Belarus), Moskow (Russia), Paris (France). Personal projects are distinguished by creative ideas, innovative execution, characteristic appliance of performative practices.