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Collage, Paper on Cardboard
Size: 10.2 W x 10.6 H x 0.1 D in
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In the spring of 2023, I visited an exhibition at the Centre Pompidou (Paris) dedicated to Germaine Richier, sculptor and immense artist. I knew and loved her "Christ en Croix" (Christ on the Cross), whose eventful history was detailed on this occasion, and which is normally exhibited in the church on the Plateau d'Assy, near Chamonix and a jewel of modern art (Braque, Matisse, Rouault, Bonnard, Lurçat, Lipchitz, Chagall, Kijno, Stravinsky...), which I never tire of visiting. The connection with El Greco's "Vue de Tolede" at New York's MOMA, which I adore, seemed close to the tormented sculpture of her "La mante religieuse". And in the collage, a young woman is stripped naked, opposing its gnarled structure and, despite or because of this animal's carnivorous reputation, offering herself to the burning breath of the Tolede night, populated by shadows and mysteries, a city dear to my memory... Translated with (free version)
2024
Paper on Cardboard
One-of-a-kind Artwork
10.2 W x 10.6 H x 0.1 D in
Not Framed
No
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France.
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I was born in Le Vigan, small town in the South of France. I studied at the Universty of Montpellier Pharmacy and Medecine. I owe to Marc Dautry, classic engraver and sculptor (Montauban), to have been very early initiated to the field of Art. Later I met the surrealist painter, Bernard Louedin (Trebeurden), and developped a passion for this movement. I live and work now in Haute-Savoie near Annecy (France) and Geneva (Switzerland). At first glance my activity as Dr in medical biology did not predispose me to the practice of collage and photomontage if not my passion for Art,photography, surrealism, specially Man Ray, Dora Maar, Lee Miller, Max Ernst, Magritte and Hannah Hoch. My meeting with Josephine Sacabo, american photographer, was decisive; she introduced me to this art, and incited me to "always shift forward the reality". And this the way each of my collages is inspired by transposing fragments of live, where feelings, fantasies, and personal concerns are mingled. Beyond the resear that each project involves (magazines of art or photography, newspapers, photos, advertisings), beyond the time splent for realizig the work, beyond aesthetic concerns, the final result often emerges from these contengencies, and escape from the original idea, to become another, only remains the sincerity.
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