419 Views
8
View In My Room
Collage, Paper on Paper
Size: 44 W x 48 H x 2 D in
Ships in a Box
419 Views
8
Symmetrical composition of Acrylicalized butterfly wings, permanently adhered to illustration board, and sealed under glass. Includes a full list of insect species used on the back of the piece. The mosaic on these pieces is made with eco-friendly, sustainably-farmed butterfly wings. The butterflies I use are farmed in third-world and developing countries; after the butterflies die, the farmers collect and sell the insects instead of poaching them or logging the valuable rainforest, which makes my pieces eco-friendly. I “acrylicalize” each butterfly wing to structurally reinforce it and adhere it to the background surface. Two of the species I often use in my artworks, the Blue Morpho and the Madagascan Sunset Moth, were endangered species before the butterfly farms stabilized and replenished their populations—so they are no longer endangered, thanks to the insect-farming initiative! The farms are in Peru, Brazil, Madagascar, the Central African Republic, Malaysia, Indonesia, Thailand, Vietnam, Sri Lanka, Papua New Guinea, and Colombia. The butterfly is the last stage of the insect’s life-cycle. In order to transition from caterpillar to butterfly, the caterpillar dissolves into a DNA “soup” inside the chrysalis and is reconfigured by a force of intelligent energy into an entirely new form. In my paintings, they are again in an entirely new form. While playing with butterfly wings as a medium, I intuitively arranged them into symmetrical snowflake-like compositions. Around the same time, I learned about and became fascinated with Dr. Masaru Emoto’s controversial experiment in which he analyzed the crystallization of water into snowflakes: The water samples that were labelled with positive emotions and words (Love, Health, Joy, etc,) and then had the corresponding energy directed at them, crystalized into symmetrical, aesthetically-pleasing snowflakes. Alternatively, the samples labelled and affected with negative emotions (such as Hate and Disgust,) resulted in deformed, asymmetrical snowflakes! While the symmetrical compositions of my butterfly wing mosaics can also be interpreted as kaleidoscopes or mandalas, the idea of a snowflake made out of tropical rainforest insects is ironic, touching on the topic of environmental health in a surreal interpretation. I also think of it as a visual representation of the intelligent energetic force that is present in all things: The symmetrical snowflake is a symbol of health and natural order. The painting will arrive in a reinforced box.
Paper on Paper
One-of-a-kind Artwork
44 W x 48 H x 2 D in
Not Framed
Not applicable
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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Born in 1989, Eydel and her parents emigrated to the U.S. in 1992, escaping the dangerous remnants of the Chernobyl disaster. For years, they struggled as immigrants just to get by, but always supported their daughter’s creativity. She has been exhibiting professionally since 2000 and is best known for her mixed media mosaic techniques: Glass Bead Mosaic and Butterfly Wing Mosaic., Eydel is always striving to grow as an artist by exploring and expanding her creative potential with different themes and materials. The essence of Eydel’s new series of paintings is a simplified sophistication. Eydel takes her signature imagery of Glamorous Glass Bead Mosaics, lovingly monikered “Glamour Girls”, and expands it into larger-than-life proportions. Unlike the Glamour Girls, which focused mostly on the glass bead mosaic technique, the “Big Girls” showcase more painting: Eydel juxtaposes bold, almost color-blocked imagery, with subtleties of color and painted surface texture. Eydel aims to evoke a simplified sophistication with a more minimalist technique. Taking inspiration from Alex Katz, Tamara de Lempicka, and Gustav Klimt, her paintings resonate with energy from the contrast of flat, pattern-rich surfaces and boldness of imagery. The combination of her stylized tubular figure painting with the play of perspectives and shape-simplification evokes almost almost an Art Deco vibe. Eydel’s paintings echo a bygone era, and yet suggest modernity; they are simultaneously timeless and contemporary, playful and sophisticated, simple and yet lovingly detailed. “The feelings embodied in these women are what I aspire to be— relaxed, confident, at ease, and preferably on vacation. “ Eydel received her B.A. in Fine Art from Florida Gulf Coast University in 2011. Her pieces can be found in public collections around Florida and private collections all over the U.S., Puerto Rico, Canada, the U.K., Australia, the Netherlands, Belgium, Russia, Spain, Japan, and China.
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