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detail : feminine faces and gaze of the modern portrait
colors
sensuality
A classic frame (here black sticks, but the color of which can be varied) of 19.7x15.8 inches (50x40 cm), here under passepartout, but it would be interesting to include the x-ray plate between two panes to highlight this work
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Composite Feminine Portrait - Collage

alain clément

France

Collage, Paper on Other

Size: 10 W x 14.4 H x 0.1 D in

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$490

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75 Views
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About The Artwork

Three feminine faces, how many centuries separate the first from the other two? However, the same beauty of the look for everyone. The current portrait updates this seductive side, through the color of the elements, the sensuality of the body and the discreet eroticism of the lingerie. It is an X-ray plate that supports the collage, thus obscuring the photo of the fragments of the body that it is supposed to reveal, as a reminder to a certain emptiness. A coat of Sennelier satin varnish was applied, in order to accentuate the colors and reinforce the impression of seductive elements and the abstraction of this composition ...

Details & Dimensions

Collage:Paper on Other

Original:One-of-a-kind Artwork

Size:10 W x 14.4 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Le Vigan, small town in the South of France. I studied at the Universty of Montpellier Pharmacy and Medecine. I owe to Marc Dautry, classic engraver and sculptor (Montauban), to have been very early initiated to the field of Art. Later I met the surrealist painter, Bernard Louedin (Trebeurden), and developped a passion for this movement. I live and work now in Haute-Savoie near Annecy (France) and Geneva (Switzerland). At first glance my activity as Dr in medical biology did not predispose me to the practice of collage and photomontage if not my passion for Art,photography, surrealism, specially Man Ray, Dora Maar, Lee Miller, Max Ernst, Magritte and Hannah Hoch. My meeting with Josephine Sacabo, american photographer, was decisive; she introduced me to this art, and incited me to "always shift forward the reality". And this the way each of my collages is inspired by transposing fragments of live, where feelings, fantasies, and personal concerns are mingled. Beyond the resear that each project involves (magazines of art or photography, newspapers, photos, advertisings), beyond the time splent for realizig the work, beyond aesthetic concerns, the final result often emerges from these contengencies, and escape from the original idea, to become another, only remains the sincerity.

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