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VIEW IN MY ROOM
VIEW IN MY ROOM
Flex is a mixed media artwork created from a scanned original photo of a vintage muscle man flexing. The original image was scanned, manipulated, printed on watercolor paper and mounted on panel. The white 'drawing' was done with a resistance material before it was printed. The piece is finished with a glass-like coating of epoxy resin. The basis of my mixed media collages are blue prints, road maps, bus tickets, letters of correspondence and various other items of paper ephemera which invoke the nostalgia of a Midwestern upbringing and the roots of my artistic cultivation. Inspiration is derived from the inherent meaning in these documents as well as the images they are paired with. These vintage sales slips, receipts, invoices, etc. serve as a reminder of the importance of paper as a record of human history, but also the fleetingness of a life reduced to ephemeral moments. Many of the figures incorporated into the artwork are taken from my extensive collection of one-of-a-kind antique daguerreotypes and mid-century snapshots. Each photograph in the acquisition is chosen because of its ability to simultaneously mirror intimate and universal facets of the human experience. The ambiguous figures often have a familiarity and represent archetypical image of masculinity and the Everyman. For this reason they are dealt with as a kind of self-portrait. Appropriation of these ‘forgotten’ photographs is an essential part of my art making process. Repurposing the images with new content not only builds upon the original history of the photographs, but creates a transcendence of time and a revitalization of the past. I have often expressed that I may not necessarily be the photographer of these relics, but through my artistic interpretation I feel I am their curator.
Collage:Digital on Other
Size:24 W x 24 H x 1.5 D in
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Throughout his education Adam Collier Noel worked to combine diverse materials and techniques with various photographic processes. The subject matter incorporated into the artwork is often appropriated from his extensive collection of one-of-a-kind antique daguerreotypes and mid-century snapshots. Each photograph in his acquisition is chosen because of its ability to simultaneously mirror intimate and universal facets of the human experience. “In a day and age when we are constantly being bombarded with immeasurable amounts of new imagery, I have chosen to create new art forms using vintage photographs that have been forgotten, lost or disregarded. This ambiguous, yet familiar collection of snapshots I have assembled traverses universal cultural themes such as nature, science, history and the physical form. My photography-based mixed media artwork relies heavily on the appropriation of these found images and their relationship to the contemporary world through the lens of popular culture.” Employing a combination of technological and traditional processes in his paper-based creations gives Adam Collier Noel the opportunity to reinterpret the original history of the found image through an enhanced narrative. His inspiration is derived from the meaning inherent in the found images, as well as the materials with which he pairs them. Blue prints, letters of correspondence, receipts, book pages, etc. are often layered with the photographs to reﬂect the importance of paper as a transcript of human history and a place where ideas are written and discoveries are documented. Building upon the rich history of the image creates a transcendence of time and a revitalization of the past, “Much of my work is about optics, ways of seeing and the grand tradition of photography. By appropriating and repurposing found images I give them a new life and a new narrative. I have often expressed that I may not necessarily be the photographer of these relics, but through my artistic interpretation I feel I am their curator.” Recently, Adam Collier Noel traded representational imagery for bold abstraction in a new series of colorful paintings. Using his familiar grid composition, Noel explores formal compositional elements and color theory applications to achieve a rhythmic balance pleasing to the eye. He explains, “The grid has always been a consistent element throughout my artwork. It is a way of bringing order to chaos and organization to disarray.
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