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Horizons Collage

Cris Xavier

Brazil

Collage, Paper on Paper

Size: 6.5 W x 6.5 H x 1.5 D in

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About The Artwork

In the context of social distancing, I have been creating and collecting these simple landscapes. They are small records of a fragment of time. At the meeting of two colors, the imaginary line that separates the sky from the earth, or the sea, limits the gaze and covers an uncertain future. The prominence of the sky above the low horizon reveals the human condition from a telluric perspective. The multiple views, exposed in contiguous spaces, and the preponderance of horizontality create the appearance of a single continuous horizon, which permeates the subjective temporality of each image. Amidst the diversity, the uniqueness of the days, afternoons and nights highlights the passage of this pandemic and ambiguous time... -- No contexto de distanciamento social, venho criando e colecionando essas singelas paisagens. São pequenos registros de um fragmento de tempo. No encontro de duas cores, a linha imaginária que separa o céu da terra, ou do mar, limita o alcance do olhar e encobre um incerto porvir. A proeminência do céu sobre o baixo horizonte revela a condição humana, sob uma perspectiva telúrica. As múltiplas vistas, expostas em espaços contíguos, e a preponderância da horizontalidade criam a aparência de um único horizonte contínuo, que perpassa a temporalidade subjetiva de cada imagem. Em meio à diversidade, a singularidade dos dias, tardes e noites evidencia a passagem desse tempo pandêmico e ambíguo...

Details & Dimensions

Collage:Paper on Paper

Original:One-of-a-kind Artwork

Size:6.5 W x 6.5 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My work investigates the perception of landscapes and their constant changes.  I explore the dimensions of time and space, with the intent of displacing ordinary observations – to propose new reflections on transience and impermanence.  Born in 1976, Belo Horizonte, Brazil.

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